This experiment follows a thread/arc started in An Experiment in Writing – Part 12: Overwriting, Toing and Froing and continued in An Experiment in Writing – Part 13: Exposition via Dialogue, the latter being wherein I offered
Usually because they’re either lazy or don’t know any better.
Especially if it’s glucky.
I use Deep POV a lot and suggest it for the very purpose I demonstrate here: to get necessary story information to the reader and reveal character simultaneously.
Efficient writing that, dual purposing a section to incapacitate two aerial habituators penecontemporaneously.
Yeah, I’m an author. Can you tell?
Think I’m onto something? Take a class with me or schedule a critique of your work.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.
Get copies of Empty Sky and follow along.
For that matter, pick up several dozen copies of all my books because it’s a nice thing to do, you care, and I need the money.
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[…] mentioned in experiments 5, 14, 25, and in other experiments, 1stP POV is immediate and intimate. The narrator is talking directly […]
[…] Experiment 14: Exposition via Character Revelation via Deep POV is the mirror to this one. […]