An Experiment in Writing – Part 47: Overwhelmedness
Joseph Carrabis -
September 3, 2025
Experiments in WritingFor Authors
overwhelmed:
1. that sinking feeling you’ll never get anything done
2. the belief you’re inadequate to some task
3. the crippling recognition you’ve not only bitten off more than you can chew, but are about to vomit up everything you’ve ever chewed and won’t be able to walk away fast enough for people not to realize you made the mess and don’t have the calzones to clean it up
4. the slithering movement you make when you overpromise and underdeliver, and have no idea how to get out of town before anybody notices

 
(because today, I got a little overwhelmed)

 
Think I’m onto something? Take a class with me, schedule a critique of your work, or buy me a coffee.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

Get copies of my books because it’s a nice thing to do, you care, you can follow along, and I need the money.

All Experiments

#Experiments in Writing

No Responses

Joseph Carrabis, Author Shopping Cart
I feel so empty...
Visit The Shop
Writing Mentoring


Interested in taking your writing to the next level? Want to take a class with other writers and authors perfecting their craft?
Check out Writing Mentoring.
Classes are held on Wednesdays. Each session starts the first Wednesday of the month and ends the last Wednesday of the month. Morning and evening classes available.

Are you a Member? Would you like to be?
Subscribers! Want to be Interviewed?
Sorry, this content is available to paying subscribers only


Watch previous interviews to learn what they’re like.

History
Tagalicious
About Me Americana Analytics Ecology Anthropology A Tale of the Northern Clan Atmosphere attr Author Interviews Author Tools Bear Bees Behavior Betrayal Birds BizMediaScience Blurbs Bobcat Body-Mind-Spirit Book Blogs Character Childhood Trauma Children's Stories Chipmunk Conflict Cons-Fairs-Expos Contest Covers Coyote Cozy Murders Creative Non-Fiction Crime Comedy Crime Thrillers Critiques Crow Curses Cymodoce Deer Description Dialogue Economy of Meaning Editing Emotions Empty Sky Espionage Expanded Awareness Experiments in Writing Exposition Fains I Fantasy Fiction Flash Fox Gable Smiled Gel Ink and Rollberball Gender Gothic Romance Great Opening Lines Hanging Tree Harvey Duckman Hawk Heal History Horror Humor I'm Identity iMedia Interpersonal Relationships Jerry and Betty know Language Learnings Library of Congress Life Linguistics Literature Lively Discussions Lizard Love Story Magic Realism Marke Marketing Mayhem Midnight Garden Midnight Oil Midnight Roost Military Mood Music Mystery Myth Narration Neuroscience Newsletters Noir Non-Fiction Old Ones Opossum Owl Pace Performance Artist Personal Finance Personal Improvement Personality Philosophy Pitch Plot Podcast Poetry POV Psychology Rabbit Rabbit Hole 5 Rabbit Hole 6 Rabbit Hole 7 Rabbit Hole 8 Raccoons Readings Recovery Triptych Relationships Reviews Revision Ritchie and Phyl Rob and Joan Carter Romance RoundTable Scenes Science Fiction Search Self-Discovery Self-Help Setting Skunk Snake Social Sociology Spider Spies Spirituality Spoken Word Sports Stating the Obvious StoryCrafting StoryTelling Structure Style SubStack Susan Tag Tales of the Woods
Experiments in Writing
1 – This is How It Begins
2 – Openings
3 – More on Openings, Closings
4 – More on Closings
5 – More on Openings – Establishing Voice, Atmosphere, Setting, and Narrator
6 – Authenticity
7 – Inciting Incidents
8 – Worthy Antagonists
9 – Final Conflicts Worth Reading
10 – Action Scenes (finally)
11 – Language and Word Choice
12 – Overwriting, Toing and Froing
13 – Exposition via Dialogue
14 – Exposition via Character Revelation via Deep POV
15 – Character Voice, Author Voice Part 1 – Character Voice
16 – Character Voice, Author Voice Part 2 – Author as Character
17 – Character Voice, Author Voice Part 3 – Author IS Character
18 – Character Voice, Author Voice Part 4 – Author Voice
19 – Plotlines, Timeslines, Throughlines
20 – Plotting, Pantzing, and Procrastinating – The 3Ps Every Author Should Know and Love
21 – More on Exposition via Dialogue – Holmeses&Watsons
22 – More on Plotlines, Timelines, and Throughlines
23 – Into the Mythic
24 – A Little More Into The Mythic, and The Rule of Three
25 – Accidental POV Shifts
26 – World-Building via 1stPPOV
27 – How to read as an author
28 – Giovanni di Pietro di Bernardone Teaches Writing
29 – Character via Exposition
30 – What Happens Next?
31 – Who Haven’t I Written About Lately?
32 – Let the Characters Do the Work
33 – Writer’s Block versus Writer Stuck
34 – Editing
35 – Write Moments and Feelings
36 – Timeline and Plotline Convergence (an Example)
37 – Time Manglement
38 – Subjectively Objective and Objectively Subjective
39 – The First Word
40 – Blurbs, Pitches, and But-Then-Except
41 – An Example of “The First Word”
42 – Technique versus Craft
43 – A Humbling Experience – Robin Wilkey Gregory’s Killing Time
44 – What’s a ‘Flaknoc’? (revealing anything through character interactions)
45 – Drinking the Sand
46 – Atrribution via Action (and a little bit more)
47 – Overwhelmedness
48 – An Experiment in Writing – Part 48: Eating My Own Dogfood (more on reading like an editor, critiquing your own work)
49 – An Experiment in Writing – Part 49: Write/Be/Do What Interests You
50 – Match Narrative Voice to Character Voice
51 – Marketing is a Four-Letter Word
52 – Subtlety
53 – An Example of Poor Story Crafting
54 – You’re not Stephen King, Nora Roberts, JK Rowling, Dan Brown, … so get over it
55 – Backcover copy and Blurbs (again)
56 – Creating Tension, Building Tension
57 – More on Character Voice (Showing Change through Tone, Language, Behavior)
58 – Interesting to Whom? (keeping it interesting for author and reader)
59 – Unreliable Witnesses
60 – HELP! (I need somebody)
61 – Pitching Events (or Marketing, again)
62 – Man From Earth, MindWalk (Conflict Without Conflict)
63 – Eating My Own Dogfood (more on reading like an editor, critiquing your own work)
64 – Recognizing My Worth