An Experiment in Writing – Part 50: Match Narrative Voice to Character Voice
Joseph Carrabis -
September 24, 2025
CharactersExperiments in WritingPOVStoryCraftingStoryTelling

This one was a gift to me and now to you. I use it, I work it, I do it.

I hope.

Write scenes in the voice of the POV character in that scene.

Your readers won’t notice (unless they’re really good or you do it poorly) and they’ll love you (or laugh at you) for it.

 

Read Empty Sky
Think I’m onto something? Take a class with me, schedule a critique of your work, or buy me a coffee.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

Get copies of my books because it’s a nice thing to do, you care, you can follow along, and I need the money.

FWIW, I hold a Creators RoundTable the last Thursday of every month from 7:30-8:30pmET. Watch past RoundTables. Register to participate.

All Experiments

#CharacterExperiments in WritingScenesVoice

No Responses

Joseph Carrabis, Author Shopping Cart
I feel so empty...
Visit The Shop
Writing Mentoring


Interested in taking your writing to the next level? Want to take a class with other writers and authors perfecting their craft?
Check out Writing Mentoring.
Classes are held on Wednesdays. Each session starts the first Wednesday of the month and ends the last Wednesday of the month. Morning and evening classes available.

Are you a Member? Would you like to be?
Subscribers! Want to be Interviewed?
Sorry, this content is available to paying subscribers only


Watch previous interviews to learn what they’re like.

History
Tagalicious
About Me Americana Analytics Ecology Anthropology A Tale of the Northern Clan Atmosphere Author Interviews Author Tools Bear Bees Behavior Betrayal Birds BizMediaScience Blurbs Bobcat Body-Mind-Spirit Book Blogs Character Childhood Trauma Children's Stories Chipmunk Conflict Cons-Fairs-Expos Contest Covers Coyote Cozy Murders Creative Non-Fiction Crime Comedy Crime Thrillers Critiques Crow Curses Cymodoce Deer Description Dialogue Economy of Meaning Editing Emotions Empty Sky Espionage Expanded Awareness Experiments in Writing Exposition Fains I Fantasy Fiction Flash Fox Gable Smiled Gel Ink and Rollberball Gender Gothic Romance Great Opening Lines Hanging Tree Harvey Duckman Hawk Heal History Horror Humor Identity iMedia Interpersonal Relationships Jerry and Betty Language Learnings Library of Congress Life Linguistics Literature Lizard Love Story Magic Realism Marketing Mayhem Midnight Garden Midnight Oil Midnight Roost Military Mood Music Mystery Myth Narration Neuroscience Newsletters Noir Non-Fiction Old Ones Opossum Owl Pace Performance Artist Personal Finance Personal Improvement Personality Philosophy Pitch Plot Podcast Poetry POV Psychology Rabbit Rabbit Hole 5 Rabbit Hole 6 Rabbit Hole 7 Rabbit Hole 8 Raccoons Readings Recovery Triptych Relatability Relationships Reviews Revision Ritchie and Phyl Rob and Joan Carter Romance RoundTable Scenes Science Fiction Search Self-Discovery Self-Help Setting Skunk Snake Social Sociology Spider Spies Spirituality Spoken Word Sports Stating the Obvious StoryCrafting StoryTelling Structure Style SubStack Susan Tag Tales of the Woods Tales Told 'Round Celestial Campfires Tension Terrorism That Think You Do
Experiments in Writing
1 – This is How It Begins
2 – Openings
3 – More on Openings, Closings
4 – More on Closings
5 – More on Openings – Establishing Voice, Atmosphere, Setting, and Narrator
6 – Authenticity
7 – Inciting Incidents
8 – Worthy Antagonists
9 – Final Conflicts Worth Reading
10 – Action Scenes (finally)
11 – Language and Word Choice
12 – Overwriting, Toing and Froing
13 – Exposition via Dialogue
14 – Exposition via Character Revelation via Deep POV
15 – Character Voice, Author Voice Part 1 – Character Voice
16 – Character Voice, Author Voice Part 2 – Author as Character
17 – Character Voice, Author Voice Part 3 – Author IS Character
18 – Character Voice, Author Voice Part 4 – Author Voice
19 – Plotlines, Timeslines, Throughlines
20 – Plotting, Pantzing, and Procrastinating – The 3Ps Every Author Should Know and Love
21 – More on Exposition via Dialogue – Holmeses&Watsons
22 – More on Plotlines, Timelines, and Throughlines
23 – Into the Mythic
24 – A Little More Into The Mythic, and The Rule of Three
25 – Accidental POV Shifts
26 – World-Building via 1stPPOV
27 – How to read as an author
28 – Giovanni di Pietro di Bernardone Teaches Writing
29 – Character via Exposition
30 – What Happens Next?
31 – Who Haven’t I Written About Lately?
32 – Let the Characters Do the Work
33 – Writer’s Block versus Writer Stuck
34 – Editing
35 – Write Moments and Feelings
36 – Timeline and Plotline Convergence (an Example)
37 – Time Manglement
38 – Subjectively Objective and Objectively Subjective
39 – The First Word
40 – Blurbs, Pitches, and But-Then-Except
41 – An Example of “The First Word”
42 – Technique versus Craft
43 – A Humbling Experience – Robin Wilkey Gregory’s Killing Time
44 – What’s a ‘Flaknoc’? (revealing anything through character interactions)
45 – Drinking the Sand
46 – Atrribution via Action (and a little bit more)
47 – Overwhelmedness
48 – An Experiment in Writing – Part 48: Eating My Own Dogfood (more on reading like an editor, critiquing your own work)
49 – An Experiment in Writing – Part 49: Write/Be/Do What Interests You
50 – Match Narrative Voice to Character Voice
51 – Marketing is a Four-Letter Word
52 – Subtlety
53 – An Example of Poor Story Crafting
54 – You’re not Stephen King, Nora Roberts, JK Rowling, Dan Brown, … so get over it
55 – Backcover copy and Blurbs (again)
56 – Creating Tension, Building Tension
57 – More on Character Voice (Showing Change through Tone, Language, Behavior)
58 – Interesting to Whom? (keeping it interesting for author and reader)
59 – Unreliable Witnesses
60 – HELP! (I need somebody)
61 – Pitching Events (or Marketing, again)
62 – Man From Earth, MindWalk (Conflict Without Conflict)
63 – Eating My Own Dogfood (more on reading like an editor, critiquing your own work)
64 – Recognizing My Worth
65 – Genre Schmenre
66 – Surprise!
67 – Creativity Exercises (Building those Muse Muscles)
68 – Finding the Path
69 – Sensitivity Readers…NOT!
70 – Edit Someone Else’s Work to Improve Your Own
71 – Previously on…(more on backcover copy)
72 – Relatability = Believability = Engagement = Sales
73 – Call Response