The Family Together Again

Come get your numnums, kids

Ah, the holidays.

A time when families gather.

Or at least Hecate’s family gathers.

It’s been a while since we’ve seen the whole family together.

Cause for celebration, this. There are idiots…I mean, hunters…in the woods. The Old Ones come nightly for shelter. When we don’t see one for a while, we wonder.

The Ways of The Wild are not our ways. If we are to survive, we must adapt, not they. They evolve along ancient patterns and lines.

Not so us. If we still evolve, it is to strengthen our thumbs for TXTing, perhaps.

But here, all are safe.

Would that that be the case for all souls this holiday.

That is our wish.

And even though some are hunted, The Old Ones tell us it is their wish for us, as well.

Empty Sky Chapter 7 – Joni and Honey Fitz

The right decision, for whatever reasons

(final edit before the proofreaders (he said). You can read the previous version here.

Read Empty Sky Chapter 6 – Al and Doc Martin

Creator and above level members can download a PDF of the first seven chapters to read offline


Joni stood across Beacon Street from the Brookline Abortion Clinic staring at the sign’s red and gold lettering.

She shook her head in disgust. What betesticled marketing moron came up with those colors for an abortion clinic?

Two buses, one with a Boston’s Pro-Life Action Network banner and the other unloading Operation Rescue “sidewalk counselors”, formed a phalanx from the sidewalk to the clinic doors. Ever since John Salvi III opened fire here and at its sister clinic about a mile away, and now with most red states sending bus loads of safe sex refugees north, this stretch of Beacon Street became one of the safest most dangerous places in the greater Boston area. Police cars patrolled routinely. Male and female undercover cops chatted up anyone and everyone walking anywhere near the clinic.

The Supreme Court had created a safe zone for people wanting to enter and exit the clinics and this safe zone included quite a bit of the sidewalk and street surrounding the clinic. People on their way elsewhere learned to stay on the other side of the street, thus the only people nearing the clinic were those having business there.

Such as Joni, today.

Joni held a pencil in her hand as if it were a cigarette. She lifted it to her lips each time she felt her breakfast of barely thawed Brüdermann’s frozen pizza and cold Starbucks coffee coming back on her.

She belched. “Ugh. Morning sickness is one thing but you didn’t do yourself any favors here, Levis.” She checked her palm for escaping pieces of pizza. “I should never have given up smoking.”

Sitting in a safe haven of a sidewalk bench across the street from the clinic, Joni watched an obese woman with a video camera and two small children in tow. The children orbited the woman more like satellites than offspring; the woman was large enough to warrant a small planetary system of her own.

All the other people, all the other protesters and contesters, all the police, all the counselors, all the passersby and traffic in between, evaporated until only this one woman, video camera in hand, her greater and lesser moons of Phobos and Deimos orbiting via unseen gravitational umbilicae, spun away from the others, walking and talking her way into a universe of her own.

She held vigil under an ash tree, a cat waiting for a specific bird to arrive. She kept telling her kids to stay there. At least it seemed she was. She might have been saying, “Stay here until I move five feet away. No more. Five feet, do you hear? Then come running after me. Scream for me. Clutch onto my skirt, climb onto my coat, pull me down into the earth with the weight of you. Make sure you’re loud and obscene enough for all others to see. We are here to show them what it means to be a mother.”

Joni’s hand went to her stomach. She couldn’t feel any life there yet. “Small comfort.” Instead she felt the pizza and coffee making plans for a violent escape. She wanted to be prepared.

How did the woman pick her targets? Did she only go for women like herself? Like herself in what way?

Joni watched her walk back to her ash tree after each encounter, back to the bulging, plastic shopping bags she dropped there. She seemed confused by them, unsure of all they contained, some kind of alien cornucopia. One held extra video cameras, extra batteries, a voice recorder, an extra mobile, a portable hand-crank phone and USB port charger, and pictures her children waved at those who sought entrance. The next held sandwiches and Cokes, Hostess peanutbutter-cheese crackers, Twinkies and M&Ms, a thermos and extra cups. The last held disposable diapers, clothes, towels and a Gladlock bag of moistened handiwipes.

She had come prepared. Maybe Joni could bum a plastic shopping bag and a handiwipe when the pizza and coffee made their escape?

“Fuck that. Does she have a cigarette?”


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Mr. Thackbody Dines

Hey, buddy! I’m eatin’ here!

A short piece at the end of a long week.

It’s been quite busy here. Coyote are coming by nightly. This upsets some, especially our dog, Boo, as by gosh, don’t they know that’s his backyard they’re in?

Wisely, the coyote are fleet, nimble, and cautious.

Hence this short piece, Mr. Thackbody Dines.

Enjoy.

Character is… (Part 2.2) – Description is…

Bringing Your Character to Life via Description

This is the fourth in an ongoing series of StoryCrafting/StoryTelling posts I’m publishing for my own benefit; explaining something helps me determine if I’ve truly learned it or am simply parroting what others have offered. I learn my weak spots, what I need to study, et cetera.

Previous offerings include:

  • Atmosphere is…
  • Character is… (Part 1)
  • Character is… (Part 2.1) – Exposition is…

    And note that I’ll update/upgrade/edit these posts as I learn more.


    Description – Second most economical, second least effective. If you must provide a list of details, make the last one explosive, eye-catching, something highly contrasting with the previous, preferably bland, descriptive details.

     
    Imagine you’re going to cook a specific dish for some reason. I’ll choose Fettuccine Alfredo because I made it for Susan last night.

    Start with a list of ingredients:

    • light cream
    • milk
    • butter
    • flour
    • parmesan
    • ground pepper
    • salt
    • red pepper
    • chicken
    • garlic
    • heavy cream
    • ricotta
    • romano
    • asiago


    Good and not enough. If I dumped them all into a pot it wouldn’t be very good Fettuccine Alfredo. You can have all the ingredients but you have to put them together correctly to get the desired outcome.

    Ingredients must be in the correct order to get the desired result.

     
    What I need next is the order of putting it all together:


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Social Media Demands

In all things, only what brings you joy

Another author recently wrote me “I am struggling, not without hope, to get over being overwhelmed by social media demands. A great tool, but where do you find the time to work on your writing?”

The answer to this question has long intrigued me. Especially when several people comment on my social expertise.

My first thought is, Moi? Surely you jest.

Several authors tell me they put as much time into their social marketing as they do in their writing. I’ve read some of their work.

I totally agree they put as much if not more time into their social marketing as they do in their writing. It shows. I want to ask “Do you want to be liked or do you want people to like your work?”

I mean, you can drown in the crap that’s out there now. One fellow asked me to write a review of his book. I couldn’t get past the first paragraph. I declined and politely suggested he get an editor to go review it. He already had an editor. Two, in fact, and a story coach and a publisher.

Really? And your book still sucks this much? Amazing.

For myself, craft is everything. I want my writing to stop people in their tracks. I want their world to go away and my world to take precedence. Could be why reviews of my work include statements about missing bus stops, staying up through the night reading, things like that. One person, at a recent reading, commented that my subject matter was painful but the writing pulled them right into the story. Yes!

So social marketing comes second or third or forty-fifth to me. I don’t do it every day.

I also have another rule for social marketing; enjoy it. If you’re going to do it, enjoy it. Make it pleasurable. Do it to give yourself and others a smile.

Here’s what I suggested when asked:
I only go social when I need a break from my writing. To me, developing my craft and producing product (stories, et cetera) is everything. I believe that producing quality work causes everything else to happen, so developing my craft comes first.
Sometimes I need a break. Maybe I’m stuck on a plot point, maybe a character isn’t behaving, maybe I’m just tired of developing a storyline. Okay, go online and say hello to a few folks.
I also have a core belief that we’re here to help each other succeed, that a success for any one of us is a success for all of us, so I trumpet others’ successes as much if not more than my own.
So work on your craft first. Go social when you need a break, need to warm up, something like that.

Behavioral economists reading this will go all blathery about altruism, freeloaders, cheaters, et cetera.

Don’t waste your time. I wrote that I do it when I need a break and because I enjoy seeing people succeed; a rising tide kind of thing and maybe they’ll remember me when… So much for altruism. I’m not looking for reciprocity. So much for freeloaders and cheaters. Besides, I reward people who help me – I promote them through my mailing lists – so freeloaders and cheaters die off quickly.

May not be the best strategy. Works for me. Maybe it’ll work for you.