WALK, DRIVE, RIDE, FLY OR SWIM, JUST BE THERE!

A man, a horse and discoveries on every page

Real live actors will be reading Gable Smiled, a work in progress, on a real live stage!

I’ll have a Q&A with audience members after the reading.

(this is so exciting)

 

NH Writers Project Hatbox Readings

New Hampshire Writers’ Project Readings at the Hatbox Theatre is a semi-regular theatrical and literary event series where actors read entertaining selections from ‘works in progress’ by three NHWP authors, and the audience offers feedback, critique, and reactions.

This event will not only allow the author to “hear” some of their novel, story, or book, but also receive immediate feedback. The audience will experience new works from NH authors live and contribute directly to an author’s creative process.

General admission.
NHWP or Hatbox Members: FREE
Adults: $10; Students/Seniors: $7.

Hatbox Theater, Concord, NH

Rachel, Above the Clouds…but we’re not sure if she’s Flying

To be embraced by passion, as if set on fire by the sun

I recently had a short story, Rachel, Above the Clouds, published by an online, Across the Margins. The original title was “Rachel, Above the Clouds, While Flying” and was written for a writing class I took in the early 1990s. I updated the technology in the story some, not much. Below is the version I submitted and you can use the link above to read the published version.
I’d appreciate your thoughts on which is the better story, and why.


Joseph Carrabis' 'Rachel, Above the Clouds' on Across the Margin

 
“SolarMax Ten to Houston.”

“This is Houston. Go ahead, SolarMax.”

“Ted, you feeling okay today? You sound awful froggy.”

“Guess again, Rachel.”

“Benny? Is that you?”

“Hi, Raech. Long time no hear.”

“What are you doing riding bridesmaid, Benny? I heard you’d gone civ.”

“I have, I have. Mission Control said the last few days had been rough and thought you’d like to hear a familiar voice on your last morning up.”

“How sweet of them. I’m kind of surprised to hear your voice, though.”

“Well, you know. Mission Control wanted to do something special on your last day up and they brought in me.”

“Thank them for me.”

“Will do.”

“Anybody else down there waiting for me?”

“Well…of course, Rachel. There are lots of people.”

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Ritchie&Phyl (A Celebration of Life) Chapter 8 – Montana-Mexican

Remember me now?

“You got dinner plans?”

“No, not really.”

“Good. Follow me. There’s a great Montana-Mex place about twenty miles down I95.”

“El Nina’s?”

“The exact place.”

Half an hour later Cortazar had a margarita the size of a small aquarium in front of her. She caught Phyl looking at the bowl-sized glass. “Don’t worry. This’ll take me all night.”

“Okay.” Phyl sipped from her beer bottle.

“You joined the force. How’d that happen?”

“You happened.”

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Can I be honest about your writing? (Part 5 – Could you provide examples of suckness?)

Tell the same story better

Part 1 – Oh, the Vanity of it all! of this multi-post arc dealt with some folks I knew who vanity published their books back when we called vanity publishers “vanity publishers”.
Part 2 – Vanity/Self-Publishing provided an overview of Vanity and Self publishing.
Part 3 – What Camp Are You In? identified four reasons people consider self-publishing.
Part 4 – Pray thee, Joseph, 4 Y do these books suck? delved into editing that doesn’t help a book.

Can I provide specific examples from other authors, no. I may think a given author’s writing sucks or an individual piece of writing sucks and I still respect the fact that they’re putting something out, that they got off the couch.

General examples, sure:
Continue reading “Can I be honest about your writing? (Part 5 – Could you provide examples of suckness?)”

Ritchie&Phyl (A Celebration of Life) Chapter 7 – Girlfriends

I know you from somewhere, don’t I?

A guard silently escorted Dr. Cortazar and Phyl through the prison outside to the parking lot. Phyl looked at the sky and drew a deep breath.

“I – ”

“Amazing, isn’t it? You’re in there for what, maybe an hour? Probably less, and you feel it lift from you the minute you’re outside again.”

“I – ”

“Imagine what it’s like for those people inside. Not just the timers. The guards, too. The staff. The staff that can’t be made up from inmates, anyway. They get to see the world after eight hours, no overtime on this job. But the timers. Those put in the Hole. Lifers. They get to see the sun maybe an hour a day. You were in there for a small part of your day. Imagine being in there for years at a time.”

“I – ”

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