An Example of the Experiments – Fains I

Sometime in the mid- to late-1970s, my third time through college (and still having no luck with traditional education of the time), I sat in my study in a rented house on Willand Pond Road and flipped through my copy of Brewer’s Dictionary of Phrase and Fable (the centenary edition revised by Ivor H. Evans). I wasn’t looking for anything in particular except to be distracted from exceedingly boring classwork.

I found it on pg 409: “Fains I.”

“Fains I” is “a schoolchildren’s term of unknown origin exempting the first to call: ‘Fains I goal-keeping.'”

Dig a little deeper and it’s used to offer protection for someone asserting an unprovable claim.

Dig lots deeper and there’s a reference to “Hercules’ Shirt,” meaning his wearing the skin of the Nemean Lion which was impervious to all but the most powerful weapons (can you say “arms race”?)

That prompted an ~2k word story which is now, thankfully, lost to antiquity.

BTW, that deepest reference is lost except in certain modern retellings of the Hercules legend (such as Dwayne Johnson’s Hercules) in which much of Hercules’ legend is called into question.

Yeah, okay, great.

What’s this got to do with the Experiments (in Writing)?

I mention in An Experiment in Writing – Part 7: Inciting Incidents that my current #work-in-progress is Fains I and that the opening sucks.

Well, of course it does.

And it’s fixable.

I’ve spent considerable neural horsepower over the past few weeks coming up with ways to a) make it better craft-wise and b) make it a better story, period (storytelling).

Some of the solutions point to the (currently 3,425 word) story becoming a novel.

I really don’t want to write another novel right now.

Okay, okay, okay.

What I can do is use Fain’s I as an example of some of the things I bring up in the Experiments in Writing.

Which we’ll begin now, with Fain’s I’s opening paragraph (anybody remember So I gave myself an exercise (eating my own dogfood)…? That’s what we’re going to do here for the next several weeks (or however long it takes for me to decide the story’s working and publishable).
Continue reading “An Example of the Experiments – Fains I

An Experiment in Writing – Part 7: Inciting Incidents

an interesting person in an interesting place doing an interesting thing

I’m reviewing a young writer’s work and, although nicely written, wasn’t engaged by it – at least not as engaged as I want to be to read a complete novel. This is (for me) the #1 reason I reject something as Senior Fiction Editor of Wilderness House – no inciting incident

What is an “inciting incident” and what makes a good one?

I’m reading this because…?

 
Traditionally, an “inciting incident” is the “why is this happening?” of a story, the one thing which must happen for the rest of the story to happen.

I broaden that out a bit. Inciting incidents answer the reader’s question “I’m reading this because…?” That question is answered with “Have an interesting person in an interesting place doing an interesting thing.” You can have two of the three and still have a good opening. You can have one but it’s got to be incredibly strong for the reader to continue.

 
Think I’m on to something? Take a class with me or schedule a critique of your work.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

And go buy my books so you can follow along!

An Experiment in Writing – Part 6: Authenticity

I’m going on to a side topic in this one.

Okay, a hidden mainstream topic in this one. Because it’s really about marketing although most people might not think so.

Today’s topic is based on some conferences I attended over the past month and some classes I’ve taken during that same time period.

Yeah, busy me, I know.

Summing up (because this experiment’s a long one):

  1. Write from the self so your writing is true
  2. Trust your audience/reader to get your message (if your work has one, of course)
  3. Be true with them so #2 works with them

 
Think I’m onto something? Take a class with me or schedule a critique of your work.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

Go get my books!

An Experiment in Writing – Part 5: More on Openings – Establishing Voice, Atmosphere, Setting, POV, and Narrator

Picking up from where we left off in past experiments in writing

What I’ve discovered so far is these posts are going to be all over the place. Don’t look for a thread because, as I mention in this entry, something I mention in experiment 3 triggers something important and worth sharing but who knows when it’ll get into its own post?

I’ve learned to live with my shortcomings and would appreciate it if you’d do the same.

Both with mine and your own.

Because you know you have them and if you don’t admit to and acknowledge them, your characters will be flat, bland, and hollow, and who wants to read about characters like that? The world is already full of shallow, bland people. No need to populate your writing with them.

Anyway, on to establishing voice, atmosphere, setting, and narrator…

 
Think I’m onto something? Take a class with me or schedule a critique of your work.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

Great Opening Lines posts
Katherine Mansfield via Great Opening Lines – and Why! (Mar 2019’s Great Opening Lines)
JD Salinger via Great Opening Lines – and Why! (Jan 2019’s Great Opening Lines)
Edgar Rice Burroughs (Tarzan of the Apes) via Great Opening Lines – and Why! (Nov 2024’s Great Opening Lines)

An Experiment in Writing – Part 4: More on Closings

Picking up from where we left off in An Experiment in Writing – Part 3: More on Openings, Closings, we’re going a little more into closings.

Just so we’re all clear on this, these Experiments in Writing posts are more for me. I hope you get something from them, yes, and I’m using them more to learn where I need work, to discover what I don’t yet understand fully if at all, and to keep myself improving.

I’m really doing these for myself, solipsist that I am…

And now, more on closings…

 
Think I’m onto something? Take a class with me or schedule a critique of your work.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

Pick up a copy of Empty Sky and/or The Augmented Man, the books I reference in this post (should you not already have them (shame on you!)) and want to follow along.

FYI, future Experiments in Writing will cover

  • Exposition via dialogue
  • Action scenes
  • Language/word choice
  • Exposition
  • and a whole lot more…if I even get to them.