What’s your social networking philosophy, Joseph?

Well…umm…hmm…

Not sure I have one. But now you’ve made me think of it, here goes…

My response is based on a number of factors and mainly on human psychology and neuroscience.

The most open, accepting, gracious people on the planet hold something in reserve when meeting strangers. It’s natural. It’s in our neural wiring. We don’t know if the person we meet is friend or foe so we favor foe until we’re sure of friend. The neural wiring of this goes back through evolution to a time before humans were humans.
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Why It Works for Me – Terry Melia’s “Tales from the Greenhills”

This is the third in a series I’m doing wherein I discuss why a particular piece of writing works for me, aka, this author’s work taught me something about writing, encouraged me to be a better writer, engaged me, captivated me, educated me, et cetera.

As I’ve written elsewhere, it’s one thing to know something is good, it’s a better thing (in my opinion) to know why it’s good and then be able to copy what’s good about it, to learn from it so you can be as good and (hopefully) better.

This time out, Terry Melia’s “Tales from the Greenhills”.

 

 

Why It Works for Me – Fritz Leiber’s “A Pail of Air”

Feel the chill

This is the second in a series I’m doing wherein I discuss why a particular piece of writing works for me, aka, this author’s work taught me something about writing, encouraged me to be a better writer, engaged me, captivated me, educated me, et cetera.

Previous entries in this series include:

As I’ve written elsewhere, it’s one thing to know something is good, it’s a better thing (in my opinion) to know why it’s good and then be able to copy what’s good about it, to learn from it so you can be as good and (hopefully) better.

This time out, Fritz Leiber’s “A Pail of Air”.

 

 

The Little Flower’s in Harvey Duckman Presents Volume 1!

I am so honored.

I jokingly tweeted my short story, Morningsong, was in Harvey Duckman Presents #3 and someday I hope to make it to #1

Team Harvey Duckman DMed me they were reissuing Volume I and I had a place in it if I wanted.

Are you kidding?

An editor wants my work?

Well just give me a second now…have to think this over…YES YES YES!

 
And then it got better.

They told me they wanted more of my stuff for future issues.

Whoa!

And lots of other fine authors are in HDP1 as well.

(subscribers may remember an earlier version of A Tale of the Woods: The Little Flower

Why It Works for Me – Loren Eiseley’s “The Dance of the Frogs”

This is the first in a series I’m doing wherein I discuss why a particular piece of writing works for me, aka, this author’s work taught me something about writing, encouraged me to be a better writer, engaged me, captivated me, educated me, et cetera.

As I’ve written elsewhere, it’s one thing to know something is good, it’s a better thing (in my opinion) to know why it’s good and then be able to copy what’s good about it, to learn from it so you can be as good and (hopefully) better.

This time out, Loren Eiseley’s “The Dance of the Frogs” (in his anthology, The Star Thrower.