The Alibi (A John Chance Mystery) – Chapter 2 (New)

As mentioned in The Alibi (A John Chance Mystery) – Chapter 1 (Redux), I work to nail down the opening of whatever I’m working on.

In the case of The Alibi, it means I’ll rewrite opening chapters/scenes/anything and everything until I feel I’ve got it close enough to move on.

And, of course, I’ll share all these writes and rewrites and rerewrites with you because, I know, you enjoy them so.

So here’s The Alibi – Chapter 2, but not again because this is brand new material (read carefully and you’ll even see a note to myself in the text, something I do to make sure I review a specific aspect of a story during the real rewriting as opposed to the I’ve-got-to-get-this-correct rewriting.


The Alibi – Chapter 2

 
Leddy Cranston saw the flickering blue of their living room TV even though the blinds were drawn. “Time.”

Her phone answered, “It’s 11:57, Leddy.”

Pop would be livid.

If he were awake.

But awake or not, he got home first so the door cam would be disabled and she’d have to use her key to get in.

She entered quietly, the only sound in the house some low voices from the TV and Pop snoring on his recliner, probably a book – a genuine book, not an ebook on a reader – half open on his lap, his readers perched on the end of his nose, his sport coat off and his tie loosened but still knotted.

And a fifth of Grand MacNish Scotch barely touched on the end table beside his chair.

Pop would never succeed as a drunk.

She entered the living room just as the glass in his hand started its slide to the floor.

Glass safely on a coaster on the coffee table, Leddy sat on their loveseat. Mom and Pop hogged the loveseat once Leddy was too big to sit between them. Back then Pop never used his recliner. They’d sit side-by-side, Pop with his hand under Mom’s leg or on her leg or holding her hand.

Leddy was relegated to Pop’s recliner.

Did they ever pay attention to what was on the tube or did they just like to sit and cuddle with each other?

That all changed when they came home from the hospital one day. Mom wasn’t feeling well and kept losing her balance. Pop was pale but Mom kept her smile on. That’s when Pop’s hand went from on or under her leg to always around her, holding her close, cherishing each second. That’s when Mom’s hand would rest on Pop’s leg.

They sat her down in the kitchen a few months later. Mom smiled, Pop’s face shined with tears.

“I’m dying, Leddy.”

You have to be a paying subscriber (Muse level (1$US/month) or higher) to view the rest of this post . Please or Join Us to continue.

Previous entries in The Alibi (A John Chance Mystery):

Previous entries in The Alibi (A John Chance Mystery)

Rob and Joan Carter’s MEET THE AUTHOR interview Snippet 4 – Current Titles

I mentioned Rob and John Carter and I chatting on their MEET THE AUTHOR show in previous blog posts.

This post is the fourth in a series of thirteen snippets taken from the full interview video. You can also listen to the interview via podcast

Today’s snippet deals with my currently available titles (both wholly mine, anthologies I appear in, fiction and non-fiction).

I mean, that’s what’s happened with The Alibi, and that’s turning into one heck of a piece.

Enjoy!

 

“The Paraclete” now on BizCatalyst360

The kind folks at BizCatalyst360 just published my The Paraclete, an excerpt from my forthcoming The Shaman.

The Shaman came about because a good number of people kept asking me about my background and training. I’d meant to write a book for years, and have a really poorly written manuscript dating from the late 1980s to prove it.

Several times I’d take that manuscript out and massage it. Into a different yet equally poorly written manuscript.

Finally, I took it out in late 2019 and asked myself, “What would make this an interesting story?”

That, and getting permission from one of my teachers (who spoke for all of them) was what I needed.

Originally entitled “Shaman Story,” the graphic artist who did the interior and exterior artwork mistakenly wrote “The Shaman” on the bookcover and Shaboom! it was done.

You can also get an idea of an earlier version of the story at The Paraclete here on my blog.

For me, it’s always interesting to see how a story changes over time.

And in either case, enjoy.

 

The Alibi (A John Chance Mystery) – Chapter 1 (Redux)

I’ve mentioned a few times how much I work to nail down the opening of whatever I’m working on. Doesn’t matter if it’s a short story, novella, novel, poem, … unless and until that opening sequence is working, everything’s going to suffer because I have no clear direction of where things are heading in the story.

Yes, I may know the major plot points, may have scenes fully formed, know the plot line, story arc, often I’ll have the complete throughline either written down or in my head.

Which is why, after getting much of the second section of The Alibi written, I knew there were holes in the storyline and basic structure in the beginning.

So here’s The Alibi – Chapter 1 AGAIN!

feel free to compare it to the previous version

You can get the backstory on this rewrite at The Alibi (A John Chance Mystery) – Chapter 1 (backstory).
Enjoy!


The Alibi – Chapter 1

 
Ed Voss stood in the middle of his apple orchard and let the scent of the blossoms envelop him. He focused on G. His only knowledge of G came from Maestro Fortuna, the stories he told him. Once Maestro Fortuna stood on this very spot and smiled as a shape formed in the air.

Ed shook his head to clear it and blinked a few times before he could recognize the shape as female, its body’s curves outlined in earth tones of browns and greens and blues. Eyes floated in what now and again seemed to be a face, and he heard laughter.

No, not quite laughter. More like a chuckle. A playful chuckle, the kind of sound someone makes when they’re tickled by someone they know.

And love.

And a moment later Ed’s orchard came to life. Leaves budded, apples ripened, flowers opened, birds nested, bees buzzed, worms burst through the soil.

And that was just what he could see. Could feel. Hear. Taste. Touch.

Could experience.

Maestro Fortuna sighed as the shape faded. “Her gift to you, Ed, for inviting her here.”

But Ed couldn’t find her – communicate to her? – on his own. Not yet.

He lowered his gaze to the still rich soil. No, not yet. Possibly not ever.

He wondered if he couldn’t do it because he lisped. Maybe G couldn’t understand him?

No. Maestro Fortuna chuckled when Ed mentioned it to him. “It’s not so much the words as the intention. We can do some things – exercises – about the lisp, and would you want to? Remember, your strength is your weakness, your weakness your strength. You talk slowly and consider your words before you speak so you won’t lisp when you talk. You mean everything you say and mean what you say. That’s a gift from you to others, Ed.” Maestro Fortuna rubbed Ed’s back gently. “And it’s your call. We can do some things if you wish.”

Ed shook his head slowly, smiled shyly, and spoke clearly. “No thank you, Professori. I’m fine like this.”

The warm, August sun dried sweat on Ed’s bare chest and back, both permanently tanned from many summer suns above and below the equator. He took his ballcap off to wipe his brow and felt furrows there, as if plowed like his fields, and realized he was tense with concentration.

That’s not how Maestro Fortuna did it.

Maestro Fortuna relaxed with slow, even breathing.

First lesson; Lower-Center-Relax-Breathe.

Ed descended through levels of awareness as Maestro Fortuna taught him and smiled. He imagined – or heard? – Maestro Fortuna’s voice. “Good! You remembered. Now again…”

Ed closed his eyes, breathed deep and exhaled slowly. His feet tingled inside his workboots, a sign G was near, could feel him, recognized his presence.

Low, deep, wide.

What was that?

A sound?

Ed cocked his head.

A sound?

His name?

Someone called his name?

But not his name, not his given name. They used the name Maestro Fortuna gave him.

You have to be a paying subscriber (Muse level (1$US/month) or higher) to view the rest of this post . Please or Join Us to continue.

Previous entries in The Alibi (A John Chance Mystery)

Terry @FromGreenhills Melia and Steve @SteveFM Evans Interview Snippet 6 – Autobiography

Terry Melia, Steve Evans, and I had some good laughs while taping Spotlight on Joseph Carrabis and his latest book ‘That Think You Do’ Writer, Mentor, Scientist.

I’ve offered snippets of that broadcast over the past few weeks continuing with today’s Autobiography.

Enjoy!

 


Previous Entries in this Series: