Tag…Again… (chapter 1)

Remember The Witch [[Tag/The Apple/The Seed??]] and Tag?

Remember my mentioning it was working itself into a novella or novel?

Remember my asking for title suggestions?

I’m working on turning it into a novella. Perhaps even a novellette. Maybe a novelina. It could still end up a novel and I doubt it at present. So far it’s a mystery of some kind (not the length, the story).

The anticeding event (discussed in The Witch [[Tag/The Apple/The Seed??]]) is now told in backstory. I’m much happier with the story’s doing this time around and also recognize it’s not finished yet. One thing throwing me is how short each chapter is (at least in this writing), basically a single scene and nothing more.

We’ll see…

And, as always, happy to have your input.


Tag – Chapter 1

Father Patreo looked up from his small cottage’s workbench. Well-soled boots crunched dry earth as someone came up the lane to his cottage. Male. Heavy. Healthy heavy, not sickly heavy. Most visitors to his cottage came sickly. A horse clomped coming from the opposite direction closely followed by squeaking cart wheels.


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Them Doore Girls – Narration

Tim Curry invited me to take part in a Hallowe’en podcast with several other authors, each of us reading something we felt fit the season.

Hallowe’en is celebratory to me and mine, and I didn’t think that’s what Tim had in mind.

I have written horror, though.

No, not written horribly (okay, maybe, and I’m getting better (I hope)), and not quite of horrible things (although some of my work is dark, I’ll grant you), so that set me off on a search.

I came up with two things. The first, shared last week, is a concatenation of two chapters in The Shaman, each of which deals with a succubatic kind of creature, Ellewomen. That post is, strangely enough, entitled “The Ellewomen.”

This one, Them Doore Girls, is from a horror story first published in Haunts 1992 and again in my self-published Tales Told Round Celestial Campfires 2016.

FYI, the sound quality is wanting. I find it best through headphones.

Enjoy!


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Sema (A Tale of the Northern Clan) now on Penumbra

Few things make me happier than knowing my work is appreciated.

By editors and publishers.

Readers, definitely. Other authors, oh yeah.

And editors and publishers? Yeah, you betcha.

Such is the case with Sema (A Tale of the Northern Clan).

The Northern Clan stories started out quite differently. The first one, written in the early 1970s, dealt with someone becoming aware of their magical powers and realizing the responsibility their use entailed.

What is it based on? Well, first, myself and my experiences (I’ve often stated I write autobiography).

Do I think I have magical powers?

Of course I have magical powers. I write stories, don’t I? What can be more magical than that?

And specifically, the story is a metaphor of growing up, becoming aware of one’s needs, abilities, and responsibilities in the world. More than growing hair in funny places, the original Tale of the Northern Clan was written before the concept of a Northern Clan existed and simply dealt with dealing with new feelings, new wants and desires, and deciding whether they would rule your life or you’d rule them in your life.

What teenager hasn’t experienced that?

For that matter, what late sixties-year-old hasn’t experienced that?

That original story received praise from early readers (we didn’t have the concept of “first readers” in the early 1970s) and I was never satisfied with it. The first version of Sema came out in 1988, went through several revisions, and now appears in Penumbra (it’s also in my Tales Told ‘Round Celestial Campfires anthology), and somewhere in the middle of Sema‘s revisions I realized it and several other stories-in-progress were all part of a single mythology and thus The Tales of the Northern Clan was born.

That original story is still in progress and should be done early Spring 2022.

Meanwhile, enjoy Sema (A Tale of the Northern Clan).

 
Enjoy!

The Ellewomen

Tim Curry invited me to take part in a Hallowe’en podcast with several other authors, each of us reading something we felt fit the season.

Hallowe’en is celebratory to me and mine, and I didn’t think that’s what Tim had in mind.

I have written horror, though.

No, not written horribly (okay, maybe, and I’m getting better (I hope)), and not quite of horrible things (although some of my work is dark, I’ll grant you), so that set me off on a search.

I came up with two things. The first, presented here, is a concatenation of two chapters in The Shaman, each of which deals with a succubatic kind of creature, Ellewomen.

Enjoy!


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Members and Subscribers can LogIn. Non members can join. Non-protected posts (there are several) are available to everyone.
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The Paraclete

Paracletes come from my work in thanatology and psychopomp. All cultures have similar creatures, all perform the same function although they appear differently. The best known (to classically educated westerners (do such creatures still exist?)) is probably Charon, the ferryman who ferried souls to Hades.

The Paraclete shows up in a few sections of one of my works-in-progress, The Shaman.

Enjoy.

The Paraclete

Robin’s mother, Pat, passed over this past weekend. We’d been preparing for her passing for quite a while. I’d been sensing her body failing off and on for the past ten or so years. For the past six or seven months, whenever we saw her socially, we’d comment to each other how “tired” she looked. Not tired in the sense of physical exhaustion from a good day’s work, tired in the sense the act of living became work.

So it was and wasn’t a surprise when we got a call she was in the hospital. She’d admitted herself. The form indicated Dehydration.

I walked into Pat’s hospital room, smiling briefly at her and then staried at the Paraclete floating over her bed.

I let Robin know that her mother wasn’t going to make it, even though she was alert and talking with us at the time.

When we were getting ready to leave, I held Pat’s hand and kissed her forehead.

She looked up at me. “You never kiss me.”


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