An Experiment in Writing – Part 7: Inciting Incidents

an interesting person in an interesting place doing an interesting thing

I’m reviewing a young writer’s work and, although nicely written, wasn’t engaged by it – at least not as engaged as I want to be to read a complete novel. This is (for me) the #1 reason I reject something as Senior Fiction Editor of Wilderness House – no inciting incident

What is an “inciting incident” and what makes a good one?

I’m reading this because…?

 
Traditionally, an “inciting incident” is the “why is this happening?” of a story, the one thing which must happen for the rest of the story to happen.

I broaden that out a bit. Inciting incidents answer the reader’s question “I’m reading this because…?” That question is answered with “Have an interesting person in an interesting place doing an interesting thing.” You can have two of the three and still have a good opening. You can have one but it’s got to be incredibly strong for the reader to continue.

 
Think I’m on to something? Take a class with me or schedule a critique of your work.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

And go buy my books so you can follow along!

July 2024 Newsletter

It is maddeningly hot here in central New England. We’re going on three straight weeks of official heat wave temps (90+°F). Aside from melting, I’m working on The Book of the Wounded Healers: A Study in Perception, a novel about communication and originally written in 1992 and reworked every few years since. My last posts on it are dated in late Spring-early Summer 2022. Each rewrite made it incrementally better and not enough. Thanks to some gifted reader-friends’ suggestions, I’m reworking with publication scheduled for late September-early October 2024. Leave a comment if you’d like to be a First Reader.

July-August 2024 Announcements

  • SideHustles and Sidegigs – What do you do to support your art when your art isn’t supporting you? That’s the core of our discussion at our next RoundTable 360° meetup. Come & join us on Thursday, July 25th, 10:30amPT, 1:30pmET, 6:30pmLondonTime, 19h30 CEST.
    Reserve your space here.
  • I’m hosting a writer’s month long workshop discussing many if not all phases of craft and storytelling. The next class runs Wednesdays, 7-28 August 2024. Sign up here.
  • My Medieval mystery, Tag, is available at 99¢ Kindle, $12.99 Print now until 30 July 2024:

    Eric and Julia seek tree grafts on the outskirts of their medieval eastern European village as a summer storm gathers. Sullya, a witch hiding among the trees, grabs Julia. Eric swings his axe and severs Sullya’s hand from her arm. The witch seeks refuge in the deep bole of an old oak. Her hand falls onto the same oak and crawls up the trunk to join her.
    Eric wants to flee but Julia, believing they’re safe, torments the witch. Sullya curses them, their families, their crops, their livestock, and their village.
    Soon crops wilt, livestock die, and much of village falls ill. The village priest, Father Baillot, seems ignorant of church ways and proves ineffective against the curse.
    The village elders seek help elsewhere, specifically from a distant priest, Father Patreo, who knows the Old Ways as well as the New. Patreo is out of favor with the Church because he makes no effort to hide his belief that progress comes from exploring all paths, not just those the Church decrees acceptable.
    He and Verduan, one of the village elders, investigate and encounter witchcraft, devil worship, murder, a coup d’etat, and the clashing of three great cultures. What they discover changes the face of Eastern Europe forever.

  • Last item – Have an announcement you’d like to include in my monthly newsletter? Leave a comment with details and we’ll see about getting it in the next one.

That’s it for July.

Want to sure you get future newsletters? Easy-peasy: join my blog. Most of it’s free and I’m told all of it’s fun.

Enjoy!

April 2024 Newsletter

You said you weren’t going to do a newsletter, Joseph

You said you weren’t going to do a newsletter, Joseph

Yes, I did.

I’ve fulltime-authored since 2016 and rejected newslettering because no newslettering authors I talk with have any evidence their newsletters led to increased sales or other authorial opportunities.

Fortunately, I don’t expect this one to, either.

I post irregular announcements and both the open and clickthrough numbers hover around 90%.

Amazing, if you know about such things.

I’m hybridizing newslettering with my irregular announcements because I found a reason to do so; some of my friends have things worth announcing and, on the whole, about once a month should cover them.

So there you go and here it is.

April-May 2024 Announcements
Continue reading “April 2024 Newsletter”

Rob and Joan Carter’s MEET THE AUTHOR interview Snippet 12 – The Shaman and more

I mentioned Rob and John Carter and I chatting on their MEET THE AUTHOR show in previous blog posts.

This is post #12 in a series of thirteen snippets taken from the full interview video. You can also listen to the interview via podcast

Today’s snippet deals with my upcoming novels beyond the science fantasy The Inheritors. These include the urban-fantasy The Shaman (September 2023 release), an urban fantasy follow up to The Shaman isolating one event in the protagonist’s life and entitled Search (December 2023 release), the medieval murder mystery Tag (March 2024 release), the science fantasy Wounded Healers (June 2024 release) and more.


Enjoy!

 

Tag – Part IV The Circus – Chapter 20

And so we begin a new section of Tag. Exciting, isn’t it? (God, I hope so!)

Continuing with Tag – Part IV The Circus – Chapter 20.

Previous chapters here


Tag – Part IV The Circus – Chapter 20

Haasel stilled her wheel to better hear the tinkling of harness bells moving down the street. The bells kept time to the steady clomp clomp clomp of horses’ hooves. Wagon wheels creaked. Another wagon followed with a smaller horse and a single bell, rougly palm size and bronze-cast from the sound. It jingled quietly until the wagon wheels clapped through a rut or over a rill in the road. Three more followed. Haasel picked up the mingled scents of bear and pony. “Not quite the lion and the lamb, and close.”

She grabbed her cane and opened her door. Bright sunlight warmed her face and arms. The jingling and tinkling stopped. The draft horse’s foreleg stomped a definitive clomp and shook itself of flies. Its rein and haress bells sounded came from quite high off the ground as if held in the hands of a musical giant. The second wagon’s bells sounded as its horses stopped but the sound was from someone deliberately plucking it, not from a movement of the wagon or horse.

“Hello, Good Lady!” A deep, bellowing voice called to her from the first wagon’s driver’s seat. It carried a slight echo from the cabin mounted on the wagon’s frame. The door between the cabin and the driver’s seat opened and Haasel heard a woman’s voice, old, harsh, gibbering as if in a delerium. The driver closed the door with a thud and the woman’s voice was gone.

The driver continued. “A circus, Good Lady! Acrobats! Jugglers! Strange tasties from distant lands made while you watch. The poetry of Homer read by none other than myself! And other plays of the ancient Greeks and Persians! Storytellers sharing our ancestors’ lore!”

Someone shifted on the third wagon’s driver’s seat but made no other noise. A servant, perhaps a slave.

“And news of the Mongol.” The voice tightened slightly, the words slightly rushed, the speaker’s tone betraying a hidden excitement. “They do brutal things to beautiful women.”


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