I asked fellow Midnight Garden anthology contributors to share some things about themselves prior to publication and those generous enough to do so will be appearing here for the next week or so.
Each entry gives a taste of their contribution, a little about them, how to contact them, how their story came about, and definitely a link to Midnight Garden (which you should purchase because it would make each and every one of us happy.
you do want to make us happy, don’t you?
i mean, considering what we wrote, you want us to know you’re a good person, right?).
And now, Molly Ertel’s Antepenultimate:
You’ve seen those Kit-Cat Klocks, right? Maybe next door at Mrs. Oldy-but-Goody’s house where every square inch of space is taken up by mid-century kitsch. Or at one of those shops at the mall that caters to squishy-brained people with a warped fondness for the fifties. If you don’t know what I’m talking about, these so-called clocks are made of black plastic in the shape of a cat with a tail and eyes that tick to the left and tock to the right. That equals one second. They’re supposed to be cute, but if you were out on the street and saw some weirdo whose eyes darted left and right like that, you’d hug your man bag or fanny pack just a little tighter and duck into the closest store. Cute? Sinister is more like it.
How the story came about:
I received a Kit Cat Clock as a gift some years back. As much as I tried to love it for its retro vibe, I found the TICK-a-tock rhythm disturbing. It took me to a dark place, a place I used to work, and an adult correctional facility, commonly known as a prison. I worked as a Spanish language interpreter and translator, a position made possible by Title VI of the Civil Rights Act, but was always bothered by the fact that executions were carried out – at a different facility – until state law outlawed the death penalty in recent years. In any case, my mind went from the arrhythmia of the Klock to the death penalty, and I don’t think I can travel back in my mind to the labyrinth that took me there. While my protagonist was not absolved for her crime in her last moment of life, I hope I am for having been part of that system.
Continue reading “Molly Ertel’s “Antepenultimate” in Midnight Garden“