Fantasy Horror Author A.F. Stewart and I talk Deviltry, Noveltry, Shipbuilding, Agony and Ecstasy

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A.F. Stewart, aka @Scribe77, did me.

Interviewed me, I mean.

We talked about

  • The differences between writing short stories and novels (not much from a crafting standpoint, me thinks)
  • Creating sympathetic villains (even the worst person has one humanizing detail)
  • Genre writing (I don’t believe I write in a genre. My regular readers tell me my genre is “Joseph”)
  • My incredible anthology, Tales Told ‘Round Celestial Campfires
  • Being able to do amazing things with words when you’re an author
  • The link between Satan and Hamilton Burger
  • Getting kudos from your readers
  • Ritchie and Phyl, my incredible work in progress
  • How writing Flash fiction is like building a ship in a bottle
  • Great Opening Lines
  • My incredible scifi/military/thriller, The Augmented Man
  • Writing about characters rather than genre (the story comes first, the genre comes second)
  • Empty Sky and my standing offer; read the book, leave a review, and I’ll send you an autographed copy of the rewrite when it’s published.
  • Children growing up
  • Stories that grew out of my anthropology studies – Mani He and The Goatmen of Aguirra
  • Getting kudos from editors and publishers
  • Writing almost fantastic fantasies (okay, the story’s fantastic. It uses almost fantasy elements – The Weight)

So, yeah, we covered a few things.


The Shackled Man

I’m taking a two-week course in flash fiction writing with the definition of flash fiction being “You can read it in under three minutes.” The Shackled Man is my offering. I’ve got it down to 2m46s.

Let me know what you think, and thanks.

Creator and above level members can listen to my test read.

The Shackled Man

Saturday mornings. That was our time.

Dad tiptoed into my room and knelt beside my bed. I could smell him before my eyes opened. A good smell, a night’s sweat just washed away.

I kept my eyes shut until I felt the bristles of his mustache when he kissed my cheek. I’d open my eyes and see the twinkle in his.

“Want to go for a ride?”

There were four places we’d go. South, Logan Airport. West, French King Bridge. North, Queechee Gorge. East, L.L. Bean.

We always stopped at a Dunkin Donuts. If we started a little late it’d be a Dunkin Donuts half way there, about an hour out, half hour at the least. Or sometimes it’d be at the edge of town, right before we hit the highway.

Dad knew where all the Dunkins were. Nobody had breakfast sandwiches or drivethroughs back then. You had to go inside. He’d get a medium coffee, two sugars, two creams, and I’d get a chocolate milk and a bavarian creme, the first bite and it oozed out and into your mouth.

And then off we’d go, listening to the radio or singing songs. Didn’t matter the weather, every Saturday morning we’d go, always sure to be out of the house by seven, no later.

West and north we’d get to the bridges. There were parking areas and we’d get out and walk around. Dad would stay close to the rails, look over. “How far down do you think that is, son?”

I was too small, I couldn’t see.

“Be a long drop from here.”

East we’d get to L.L. Bean. It was totally different back then. Only locals and hunters knew of it. How my dad knew I’ll never know.

You could talk to guides, men who knew the lakes and rivers and mountains. Dad listened to their stories, about going so far out in the woods it seemed there was no coming back, then he’d check his watch.

“Come on, son. Time to be getting back.”

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“Writing Something Horrifying” now on

Psychologists and philosophers debate “horror” as a concept. Authors have it much easier. They want to give readers chills. They want to make readers nervous. Uncomfortable. They want readers to turn on all the lights, to check locks on the doors, to tuck their feet up under themselves so nothing can grab them from below, to check under the bed before getting under the covers, to look in their closets, to look at their loved ones suspiciously.

Remember last week I wrote “Why This Were Here, Now?” now on

Remember that amazing post?

You’d think he’d learn, ya know?

Well, he asked me to do it again. Or something similar.

This week’s theme is horror and I thought he wanted something horribly written.

No, he assured me. That wouldn’t prove a challenge for me.

He’d much rather I write something about crafting horror.

Hopefully I did, and hopefully it’s not too horrible.

Give Writing Something Horrifying. Leave a comment or two. He’ll like that.

And thanks.


Hey Joe! Tell us a little about yourself.
I consider myself boring and dull.

Sounds impressive, doesn’t it?

It starts with “Not only is Joseph Carrabis a fellow Black Rose Writing and Book Fiends author friend, he’s an amazingly nice and generous guy. I am looking forward to meeting him in person in November, but right now you can get to know him a little better with my next World-building Showcase interview.”

The Mighty Phoebes (Steampunk author Phoebe Darqueling, for those who don’t know) asked me lots of questions, I fumbled through several answers.

The real kicker is where I wrote “I’m told that my work is so tightly written that it’s tough to remove stuff without throwing everything else out of whack.”

The Mighty Phoebes, proving the lie, pulled about four pages from my responses and you’d never know.

The Mighty Phoebes is a Mighty Editor, she.

Take a read, hope you enjoy, be sure to leave comments. She’ll like that.

da-AL’s Atmosphere

da-AL and I took a breath

I recently had the opportunity to guest post on da-AL‘s HAPPINESS BETWEEN TAILS BY DA-AL blog.

I offered a bit about creating atmosphere in one’s writing. After all, you do want your readers to take a breath now and then.

While you’re there, take a look around da-AL’s site. And give her dogs a hug. They like that.