Be so confident in knowing what you bring to the table you’re willing to eat alone until you find the right table.
Warning: This is not going to be a happy post.
I’ve been in three critique groups from the end of 2020 to now. One I formed, two I was invited to join. There were two more I helped form and turned over to others (both are non-US based and there were timezone and language issues which made regular exchanges with them challenging).
Let me be blunt.
- Most people calling themselves writers have no hope of becoming international bestselling authors.
- Most people calling themselves authors have no hope of becoming anything more than self-published wannabes.
- Most people in critique groups want a pat on the head, a hug, and a rousing cheer of “Good for you! You put words together!” and not a serious critique of their work with the goal of improving their craft.
Some people proudly tell me they never pay for online courses and only take the free ones.
“How long you been doing that?”
A few years now.
“You been taking courses for a few years and your work still sucks this much? Put your money on the table now, honey, otherwise your work ain’t going nowhere.”
(you may enjoy the complete “Can I Be Honest About Your Writing?” series starting with Can I be honest about your writing? (Part 1 – Oh, the Vanity of it all!). I also talk about what makes a good critique in my interview starting at about 1:35m in)
What Makes Writing Worth Reading? Continue reading “A Tale of Three Critique Groups”
I read Hayes’ “The Strange and the Wonderful” in Harvey Duckman Presents V7 and was (am still) amazed by it (I reviewed it in Why It Works for Me – Mark Hayes’ “The Strange and the Wonderful”). I reached out to Hayes and learned “The Strange and the Wonderful” is part of the Passing Place mythos, so asked for an autographed copy of Passing Place.
It took a week to read the book because 1) I’m a slow reader and 2) I was savoring it. Passing Place is a fine meal, an elegant respite from the world’s chaos. I’m leaving the following review in several places and the baseline take-away is READ THIS BOOK!
Continue reading “Mark Hayes’ Passing Place: Location Relative“
I wrote in Great Opening Lines – and Why! (Part 3 – Some Great Opening Lines) that I’d share more great opening lines as I found them.
It’s been eight months since I posted some great opening lines. It’s been a while and it was worth it to find this gem; Mark Hayes’ Passing Place.
“The Greyhound pulled away into the thunderous summer storm, leaving in its wake a dishevelled, world-weary figure in the dark, deserted bus station.” – Mark Hayes’ Passing Place
Scene, tone, atmosphere, mood, setting, and character in twenty-four words.
Continue reading “Great Opening Lines – and Why! (Oct 2021’s Great Opening Lines)”
Who’s my hero? Joseph Carrabis. Just finished an edit consult where he kindly, constructively, and expertly ripped my book blurb to shreds! LOVE IT! ‘Atta Boys do you no good. Find someone who will give it to you straight!! Thank you! I owe you. Mine felt soulless. Now I see why. It is humbling to be such a novice at something. I appreciate your help. – Augusta, GA
Let me save you some time before reading this post; Do you want to improve your writing? Are you willing to pay to improve?
If the answer to either of those is No then read no further, this post isn’t for you.
Your critique of my novel was priceless. – Hudson, NH
Answered Yes to both? Read on.
Your drive for improvement is inspiring. – Houston, Texas
Continue reading “Writing Critiques: Online or via Email
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The Why It Works for Me series are my opportunity to share with others particular pieces of writing which stand out (to me) and why (as in “this piece of writing taught me something about writing, encouraged me to be a better writer, engaged me, captivated me, educated me, …”).
As I’ve written elsewhere, it’s one thing to know something is good, it’s a better thing (in my opinion) to know why it’s good and then be able to copy what’s good about it, to learn from it so you can be as good and (hopefully) better.
This time out, Mark Hayes’ “The Strange and the Wonderful” in Harvey Duckman Presents Volume 7.