Long Ago and Far Away…okay, starting in August 2022, I shared chapters from The Alibi. That lasted to mid-September when life and starting a new business got in the way.
Life and a new business consumed more time than I expected. I still wrote – actually updated, edited, and got ready for publication my first non-fiction in six years, That Th!nk You Do (due out 15 Jan 2023. You should all buy a copy and leave glorious reviews) – but The Alibi took a backseat (and it annoyed me I did so, by the way).
But I’m also sensitive to my own cycles, transits, methodologies, dispositions, … . I knew the story wasn’t going where it was suppose to go, but I didn’t know where it was suppose to go.
So shelve it. Give it time. Ruminate.
Some time late-September 2022, Susan and I talked about it. I mentioned my biggest challenge with the story was not seeing a character who would change through the course of the novel, didn’t know who or what would act as the throughline, both of which are (to me) critically important.
Continue reading “The Alibi (A John Chance Mystery) – Chapter 1 (backstory)”
I’m lucky enough to have my work included in The Rabbit Hole Volume 5: Just…Plain…Weird anthology along with quite a group of talented authors. I especially love the teaser
Welcome to the Rabbit Hole. On our fifth excursion into the warren of the odd, 37 authors lead us down their own little burrows of strangeness : an army of penguins, music that cures, aliens that communicate through old cartoons, images of the future that save, unwanted visions of the now, and, oh yes, it is raining lawyers. All have one thing in common, they are just…plain…weird.
Weird can be funny, weird can be sad, weird can be thoughtful, weird can be mad, but the one thing in common is that weird shares experiences you have, thankfully, never had.
Just be careful, all little bunnies are not nice, but they are memorable.
About the Author
I’m boring and dull, haven’t you heard?
If you’re desperate to be bored, you can find a basic bio on my About page or on LinkedIn.
How the stories came about? Continue reading “My “Don Quitamo Sails” now in Rabbit Hole V anthology”
Kaye Lynne Booth gathered some amazing authors for Visions anthology. Reviewers can pick up a copy on Bookfunnel and readers can use this universal book link.
About the Author
Easiest way to do this is to head over to my About page. Alternately…
Joseph Carrabis told stories to anyone who would listen starting in childhood, wrote his first stories in grade school and started getting paid for his writing in 1978. He’s been everything from a long-haul trucker to a Chief Research Scientist and holds patents covering mathematics, anthropology, neuroscience, and linguistics. After patenting a technology which he created in his basement and creating an international company, he retired from corporate life and now he spends his time writing fiction based on his experiences. His work appears regularly in several anthologies and his own published novels. You can learn more about him RIGHT HERE! (exciting, isn’t it?) and find much of his work at http://nlb.pub/amazon.
How the story came about? Continue reading “My “Marianne” now in Visions anthology”
This is the second post regarding teaching myself to recognize Toing and Froing when I commit it (a most heinous act done by inept writers on hopeless prose, poetry (it’d be tough but I’m sure it can be done), scriptwriting, playwriting, (possibly) non-fiction, creative non-fiction, …).
And remember, folks, I’m including myself in the above. I’m writing this Toing and Froing arc to teach myself better writing techniques because I Toed and Froed like a marathon runner who’d lost their bearings while writing The Alibi chapter 3 (of my current work in progress which I’ll start posting in August 2022).
Toing and Froing occurs when the writer/author has their characters move around or do things for no real story purpose; there’s no character development, no character revelation, the atmosphere doesn’t change, no plot elements are furthered or revealed, the movement is irrelevant to any established or impending plot points, the movement is unnecessary to the dialogue, et cetera.
Toing and Froing Again, Part 1 ended with “My writing speed slows down,” meaning I’ve lost my rhythm, and I pick up from there…
Continue reading “Toing and Froing Again, Part 2”