Fains I (A John Chance Mystery) Chapter 7 – On the Town

Chapters 5 and 6 had some minor rewrites, nothing worth reposting, which brings us to Chapter 7.

Fains I (A John Chance Mystery) Chapter 7 – On the Town

Tom stroked Frank Sinatra’s fur as Stacey exited the Station’s main gate. She glanced over and chuckled. “You’re approved of. He doesn’t give up his seat for anybody.”

Frank cushed Tom’s lap and fell asleep, his purrs almost as loud as the F-150’s AC. “Frank Sinatra, huh? If we had Gene Kelly, Ann Miller, and a couple of other hoofers we could make a movie. When did you get a cat? When did you get a truck? When did you get a farm? Feel free to answer in any order you’d like.”

“How come you were there when I made managing partner but not for my retirement party?”

“You retired a little suddenly, Sis. None of your emails ever mentioned antyhing about that.”

Stacey entered I-278 traffic. Frank stood up and looked out the window as if riding shotgun. Satisfied she handled the maneuver safely, he turned, cushed Tom’s lap again, settled back down, and continued his purr.

“Yeah, that kind of happened. Ingram alerted you back when I made partner?”

Tom smoothed Frank’s fur. “What kind of connections does he have he can get word to me through Navy channels and arrange for a 72-hour leave so I can come stateside, party-hardy, and get back in time for exercises?” Frank burrowed into Tom’s lap.

“I worked two months on a liability shield for Valdex Oil. They bought a fleet of single hulled tankers – ”

“And took up operations in the Gulf. Perfect targets for terrorist activity and environmental disasters. That was yours?”

“I spent nights finding double-hulled tankers they could afford. They didn’t want to hear about it, and that didn’t make sense.”

Frank opened his eyes, yawned, blinked at Stacey, and went back to sleep.

“So I had one of our people do some forensics. They hired us to create a liability shield, and hired a competitor to create an insurance trust.”

“They wanted a disaster?”

“Complete with parachutes and indemnities for everybody in the C-Suite.”

“Who’d take the hit?”

Stacey looked at him and pursed her lips.

“The investors?”

She raised her eyebrows.

“The investors and everybody else in the company?”

“Don’t forget all the oil giants Valdex transports for. It’ll make the ’70s energy crisis look like a day on the beach when it happens, and it will happen. They’re counting on it.”

“You gave up twenty-plus years of career building because of one client?”

“No, I gave up twenty-plus years of career building because of a fortune teller.”

Tom sared at his kid sister. His kid sister diligently kept her eyes on the road. Frank Sinatra opened his eyes and looked up at Tom.

Tom realized he stopped stroking Frank’s fur and started up again.

“Okay, tell me about the cat, the truck, the farm, and the fortune teller.”

Fank closed his eyes and the three of them continued north to Acra.


Previous Fains I (A John Chance Mystery) Chapters

Raccoon Butt and Feeding the Kits

Sometimes meals at Chez Carrabis get hectic.

Especially when the children are hungry.

Being children, when aren’t they hungry?

And mom takes a breather by sitting on her butt and chowing down.

Makes one wonder if we should offer her a drink.

Perhaps some wine.

Maybe some flowers.

And often, a simply thank you will do.

 

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She’s also the premiere guest on what we’re calling RoundTablettes – Ten Minute One-on-Ones with a RoundTable Regular.

Hope you enjoy learning about Sarah and her amazing work.

 

An Experiment in Writing – Part 18: Author Voice, Character Voice (Part 4)

This is the last experiment in the Author Voice, Character Voice arc. I mentioned in Part 1. I wrote back then there might be three, maybe more, and I was correct, there’s four.

My goal has been to demonstrate the different voices at an author’s disposal. Part 1 focused on Character Voice. Part 2 focused on Author as Character, something often used when the character has no language and only experience, which causes the author write through the character’s POV but without internal or external dialogue, and when the character’s observations, awareness, and explanations are somehow limited (age, language, non-human, …). Part 3 considered how to craft the story when the Author is the character. The author writes directly through the character’s POV in 1stP, increasing intimacy and immediacy between character and reader.

This post deals with pure author voice. Build worlds, set scenes, tone, develop your style (which is your brand), …

And above all else, foreshadow!

Let me know how good a job I’m doing. Feel free to ask me to elaborate. Currently I recognize this is one of those things I know and never had to explain to myself.

 
Think I’m onto something? Take a class with me or schedule a critique of your work.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

Get copies of my books because it’s a nice thing to do, you care, you can follow along, and I need the money.

RoundTable 360° Nov 2024 – Who Goes There? – If a camel is a horse designed by committee, is an elephant a tuba designed by AI?

Our Nov 2024 RoundTable 360° session was “Who Goes There? – If a camel is a horse designed by committee, is an elephant a tuba designed by AI?”

AI is the newest tech available to creatives. Historically, new tech – from cuneiform writing to word processing, from cave drawings to PhotoShop – has created distance between the creator and their creation, and each added distance requires creatives to develop techniques to shorten the distance so their creation isn’t hidden in technology’s shadow.

Is AI assisted any different from Patterson’s or Roberts’ staff putting their novels together and the named author adding the finishing touches? Or the painter, sculptor, or luthier who’s students and assistants do the basic work so the master can bring the work to life? Let’s face it, AI is coming and resistance is futile. The question is, do you want to become one of the hive or the queen?

The Use of AI in the Arts was the discussion topic. Have you used AI in your creative work? Are you worried about copyright and the associated legal ramifications of using AI? AI and US Law expert Todd Sullivan is joined by Sabine Rossbach, Mark O’Brien, John Scullin, Amy Olmeda, Rick DeRobertis, Ken Weene,Donna Huston Murray,Clarabelle Miray Fields, Kristen Richter, Liz Tuckwell, and Sarah Bowden.

Watch and enjoy.

 
Want to take part in future RoundTable 360°s? Reserve your space on Eventbrite.