Litcon 2021 World Building Panel with Science fiction, fantasy, alt-history, steampunk, YA science fantasy, speculative fiction, dystopia, and military science fiction authors F. Stephan, Geoff Genge, Claudia Blood, Theresa Halvorsen, C.G. Hatton, and Liz Tuckwell

 
Enjoy the panel discussion. Information on the participants is below.

 
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(Video published – see link below) Join science fiction, fantasy, alt-history, steampunk, YA science fantasy, speculative fiction, and military science fiction authors F. Stephan, Geoff Genge, Claudia Blood, Theresa Halvorsen, C.G. Hatton, special guest alt-history and dystopian author Liz Tuckwell and myself in a two hour talk on #worldbuilding this Saturday, 6 Mar 21, noonET on Facebook

UPDATE: You can watch the panel discussion at both Litcon 2021 World Building Panel with Science fiction, fantasy, alt-history, steampunk, YA science fantasy, speculative fiction, dystopia, and military science fiction authors F. Stephan, Geoff Genge, Claudia Blood, Theresa Halvorsen, C.G. Hatton, and Liz Tuckwell and YouTube


Watch it live Saturday, 6 March 2021, noonET on Facebook!

 
About Minnesota based Claudia Blood
The Relic Trilogy – Which is YA sci-fantasy (or soft sci-fi)
Book 1: Company Assassin
Book 2: Horizon Found
Book 3: Time Rift — Goes live March 15th

 
About PEI based Geoff Genge
Terra Obscura series
My genre is alt-history/steampunk/sci-fi. What can I say… I’m complicated.
I like romantic dinners, stiff drinks, and long walks down abandoned country roads. Ya’know… since you asked.

 

About Temecula based Theresa Halvorsen
heresa Halvorsen has never met a profanity she hasn’t enjoyed. She’s generally overly-caffeinated and at times, wine-soaked. The author of multiple spec-fiction works, including Warehouse Dreams and River City Widows, in addition to various short stories and non-fiction articles, Theresa wonders what sleep is. Because she didn’t have enough to do, she also started No Bad Books Press with S. Faxon and edits for other spec fiction writers.), Theresa enjoys board games, geeky conventions, and reading. Her life goal is to give “Oh-My-Gosh-This-Book-Is-So-Good!” happiness to her readers. She lives in Temecula with her amazing husband, occasionally her college-age twins, and the pets they’d promised to care for.

 
About Lyon, France based F. Stephan
I have now 4 science fiction books in the same universe
The first two will tell you of Brian’s path to become a fully qualified starpilot and to overcome his worst fears
The third brings you back to Earth and the first trading space station above it, unsupported by the planet below
The fourth introduces you to a new character. She is forty, her birth has been deleted from the databases by the Federation until now and suddenly she has to find out what happened then.
I have pushed back the anthology of short stories
I am writing a fantasy book, set up in an alternate roman-styled world. When Giants attacks Antiago’s ally and northern border, General Torkal has only one choice. Step in. But the Giants are only the first threat he faces. We follow Allus Vernal, Scout Master of the First Legion, protegé of the General, from reconnaissance to battles, from throne rooms to secret fortresses

 
About North East England based C.G. Hatton
I write fast-paced action adventure military scifi (Thieves’ Guild), far future, galaxy at war, lots of intrigue, character-driven, complex, six books in main series, two so far in YA origins series set ten years before the main drama, new book out in April is the 3rd in that origins series…
Also editor of the Harvey Duckman Presents series of scifi, fantasy, steampunk and horror short story anthologies…
Background is degree and PhD in geology, worked at Durham Uni for five years, worked as a journalist, sub editor and editor on local newspapers for six years or so… started Sixth Element Publishing in 2009… mentor writers, run writing workshops, edit work, publish stuff… did some other stuff here and there

 
And from Special Guest alt-history and dystopia author Liz Tuckwell
I have written one dystopian short story and I’ve written several alternate history fantasy short stories about an alternative Rome. And a urban fantasy novella.

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J.N. Williamson’s “How to Write Tales of Horror, Fantasy & Science Fiction

First, a different kind of how-to-write book; each chapter is written by a different notable in the field – Williamson, Bradbury, Tem, Grant, Bradley, …

The variety of perspectives is interesting. I wonder if each author chose their chapter subject or were assigned it by Williamson, who served as editor.

Bradbury’s chapter, for example, is about where ideas come from and nurturing them, not specific techniques. Tem and Castle each take a turn at character but each from their own perspective.

Bradley’s “World Building in Horror, Occult, and Fantasy Writing” marks the first time I’ve seen the “world building” term outside of writers’ cons (I’m hosting a World Building panel at LitCon 2021).

Beyond chapters on technique – Plot, Character, Setting, World Building, Revision, Submission, … – How to Write Tales of Horror, Fantasy & Science Fiction‘s contributors explain the whys of their suggestions. Example: William F. Nolan’s “Involving Your Reader from the Start” chapter contains several examples of opening paragraphs (I don’t agree that all of them are good). Near the end of his chapter he writes “In the no-TV, no-video, no-comics world of Charles Dickens, readers were conditioned to deal with complex, dense, often-wordy opening pages in books and stories. It was an era of leisurely reading when the pace could be slow and unhurried. Not so today. …”

In other words, writing evolves with a purpose. Yes, there are fads and they pass quickly. What survives is what out-competes others in the environment.

Amazing how evolutionary science affects everything, isn’t it?


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Kit Reed’s “Revision”

I first read Kit Reed’s Revision (probably) four years ago. It was one of the first books I read when I decided to spend the rest of my life writing. I dogeared two pages.

I finished my second read about a week ago (as I write this). The book is a mess of dogeared pages.

It’s amazing how much more Kit Reed put into this book in four years, don’t you think?

Extra Effort Closes the Distance between You and Your Audience.

 
The entirety of the book comes down to Reed’s Rule Six: Extra Effort Closes the Distance between You and Your Audience.

Whenever you come to a moment of hesitation, unsurety, confusion, skimming, general off-ness, stop, figure out what’s not working, and fix it.

 
And Reed also provides a caution; Recognize when it’s done and let it go. There’s lots of examples of recognizing when something’s let-goable and when something isn’t. The one that hit me smack between the eyes is “Whenever you come to a moment of hesitation, unsurety, confusion, skimming, general off-ness, stop, figure out what’s not working, and fix it.”

I am training myself to do that. Too many times I’d read something and need to reread it, figure it out on the second take and decide it was okay.

NO, IT WASN’T!

Reed also offers several question lists to help you in your own revising. Early in the book Reed poses twelve questions so you can learn if you’re open to revision. Don’t know about others, I found it revealing (especially when invoking Reed’s suggestion to be strict (unforgiving) with your answers).

Another duh! list early in the book (pg 39) deals with determining if your work (and others, too, if you’re in a critique group) is ready to go out. Reed suggests writers/authors/writer-wannabes read for:

  1. Truth in action
  2. Accessibility
  3. Completeness
  4. Time scheme
  5. Point of view
  6. Length (with an eye to possible cutting)
  7. Organization
  8. And, once again, balance of showing versus telling. (Reed’s words, this, not mine)

Unsure what some of those mean? Read the book.


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Four pieces for a workshop

I’m taking an online writing workshop. For several reasons.

First and foremost, I know I can improve.

Second and notquitemost, I enjoy learning.

One assignment had four parts, shared here (to give folks a break from The Goatmen of Aguirra):

Write a Character Description where the Character isn’t happy with their appearance
Mary said yes.
Yes!
I can’t believe she said yes.
To me!
Why me? My god, does skype show all those wrinkles? Or the gray? How come I didn’t trim my beard today?
And I smiled a lot. I should have spent that extra $100 for the whitener the dentist suggested.
But she said yes!
My eyes are bloodshot. I can’t believe my eyes are bloodshot.
At least she couldn’t smell my breath over Skype.
Or can she?
Maybe that’s why she was smiling so much. Her pretty, whimsical smile. All teeth and curls.
She wasn’t smiling at saying yes, she was smiling because she could smell my breath, knew I just woke up, hadn’t even had a coffee yet, hadn’t brushed my teeth, combed my hair…
Why did I take that fucking call?

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Describe something from nature
Cool, night air.
The musk of woods swirling about our feet like hungry raccoons pecking at our toes.
Bright, Autumn moonlight leading Orion through the sky, away from dawn.
Wolves howl, owls hoot, loons call.
The gentle touch of my lover’s hand in mine.

Describe someone’s perception of nature
What’s wrong here?
The trees are at their posts, the rivers course on their ways, the clouds dance correctly overhead.
What’s wrong here?
The bees buzz on their flowers, the ants carry leaves to their nests, the spiders sit lazily in their webs.
What’s wrong here?
The snakes slither after toads, the toads snatch hatchlings on the wet, wet bottoms, the salamanders spread their toes like firewalkers on parade.
What’s wong here?

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Show People Realizing they’re not where they should be
I catch my wife’s eye and nod towards the end of the vegetable aisle.
“What’s he doing?”
“I’m not sure, but the two people with him don’t look happy.”
“She’s trying to calm him.”
“That boy’s getting ready to scream.”
“Should we alert the manager? Does this store have security?”
“A place with food this expensive in this neighborhood would have disguised Pinkertons walking the aisles. They’ll act if they have to.”
“Bullshit. Look at the clothes they’re wearing. They’ve got money. Nobody’s going to throw them out.”
“How come everyone’s ignoring them?”
“How come we’re not going up to him, asking him if there’s a problem, asking him if he needs help?”
“Because he’s a fucking lunatic, the way he’s behaving. You want to get near that?”
“I don’t want that boy – “
“Oh, my god! He whacked that boy!”

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