Great Opening Lines – and Why! (Aug 2020’s Great Opening Lines)

I wrote in Great Opening Lines – and Why! (Part 3 – Some Great Opening Lines) that I’d share more great opening lines as I found them.

This month’s great opening lines deal with two damsels in distress.
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Why It Works for Me – Joanell Serra’s “The Vines We Planted”

This is the twelfth in a series I’m doing wherein I discuss why a particular piece of writing works for me, aka, this piece of writing taught me something about writing, encouraged me to be a better writer, engaged me, captivated me, educated me, et cetera.

As I’ve written elsewhere, it’s one thing to know something is good, it’s a better thing (in my opinion) to know why it’s good and then be able to copy what’s good about it, to learn from it so you can be as good and (hopefully) better.

This time out, Joanell Serra’s “The Vines We Planted”.

 

 

Great Opening Lines – and Why! (Mar 2020’s Great Opening Lines)

I wrote in Great Opening Lines – and Why! (Part 3 – Some Great Opening Lines) that I’d share more great opening lines as I found them.

“Arterial blood has sprayed onto the walls; the tannoy is breaking into a staccato and the student nurse, Linda, recalls a childhood wish for invisibility” – Terry Melia’s Tales from the Greenhills

“…has sprayed…”, “…is breaking…”, and “…recalls…” – I’ve written elsewhere that I need to know Melia sweated every word choice. If the word choice above was automatic and obvious, I’m giving up writing. The first sentence of Tales from the Greenhills is present tense, direct address, and action. You are there in the center of it and the action is intense. You see the arterial blood dripping down the walls. The tannoy (British for “loudspeaker”) is making terse, abrupt statements – probably operational rather than informative based on the “arterial blood” line – and we’re given a point-of-view character who is 1) a student – she’s young, 2) a nurse – she should know what she’s doing but from (1) we know she’s in over her head, 3) recalling a childhood – she’s looking for peace, comfort, refuge, safety, 4) invisibility – she wants to get away, hide, be free of what’s happening.

And in twenty-five words.

And it keeps getting better.

Tales from the Greenhills is a must read for authors and writer-wannabes. It is a textbook of style, voice, language, dialogue, setting, …

Sorry, if I’m gushing. It’s that good.

Do you have any great opening lines you’d like to share?
I’d love to know them. There’s a catch, though. You have to explain in context why a line is great. Saying a line is great because it comes from some great literature doesn’t cut it. Quoting from archaic and/or little known works doesn’t cut it.

Feel free to quote from archaic and/or little known works, just make sure you give reasons why something is great. I stated the Great Opening Lines criteria back in Great Opening Lines – and Why! (Part 2 -What Makes a Great Opening Line?).

So by all means, make the claim. Just make sure you provide the proof according to the guidelines given. If not, your comment won’t get published.

Great Opening Lines – and Why! (Jan 2020’s Great Opening Lines)

Could Truman Capote sexually identify as an attack helicopter?

I wrote in Great Opening Lines – and Why! (Part 3 – Some Great Opening Lines) that I’d share more great opening lines as I found them.

“On the face of it, you wouldn’t think there was any connection between the murder of a dead man and the events that changed my perceptions about my life.” – Sue Grafton’s “J” is for Judgment
In a short twenty-nine words Grafton defines the character, foreshadows the story itself and the plotline. All great.

And then it quickly descends into genre tropes. This is not a bad thing in general and I’m sure there are people who love genre tropes.

Me, not so much. I like my genres with a bit more literary flare and a bit less trope

My loss, and I’m willing to accept that.
Continue reading “Great Opening Lines – and Why! (Jan 2020’s Great Opening Lines)”

Fantasy Horror Author A.F. Stewart and I talk Deviltry, Noveltry, Shipbuilding, Agony and Ecstasy

Watch, leave a comment, gain a friend!

A.F. Stewart, aka @Scribe77, did me.

Interviewed me, I mean.

 
We talked about

  • The differences between writing short stories and novels (not much from a crafting standpoint, me thinks)
  • Creating sympathetic villains (even the worst person has one humanizing detail)
  • Genre writing (I don’t believe I write in a genre. My regular readers tell me my genre is “Joseph”)
  • My incredible anthology, Tales Told ‘Round Celestial Campfires
  • Being able to do amazing things with words when you’re an author
  • The link between Satan and Hamilton Burger
  • Getting kudos from your readers
  • Ritchie and Phyl, my incredible work in progress
  • How writing Flash fiction is like building a ship in a bottle
  • Great Opening Lines
  • My incredible scifi/military/thriller, The Augmented Man
  • Writing about characters rather than genre (the story comes first, the genre comes second)
  • Empty Sky and my standing offer; read the book, leave a review, and I’ll send you an autographed copy of the rewrite when it’s published.
  • Children growing up
  • Stories that grew out of my anthropology studies – Mani He and The Goatmen of Aguirra
  • Getting kudos from editors and publishers
  • Writing almost fantastic fantasies (okay, the story’s fantastic. It uses almost fantasy elements – The Weight)

So, yeah, we covered a few things.

Enjoy!