Tiffany Fenton Interviews Me

I spent some time with a hero

Tiffany Fenton (and if you haven’t read her story, you should) asked me if I’d be her first interview.

When #the_herowithin calls, can you not answer?

Okay, I chose to answer. Tiffany supplied twenty-two questions with the instructions that I didn’t have to answer all of them, I could pick and choose. I answered all of them because 1) hey, somebody wants to interview me? Go for it! 2) I’m an overachiever (not really).

Anyway, it was fun and I hope you all enjoy

You can read the interview on Tiffany’s site, under Joseph Carrabis.

And please do enjoy.

PS) You can find Tiffany’s books in the list on the right (depending on your device). Enjoy them, too.

Peter Frampton – The Weight

His songs helped me write my history

Peter Frampton, in case you haven’t heard, is doing a farewell tour.

It seems many of the legends of my youth are doing farewell tours. Elton John comes to mind. The Moody Blues will never appear as The Moody Blues again. Such happens if you live long enough. Susan (wife/partner/Princess) and I are spending this year going to final tour concerts.

Bittersweet, that.

Eariler this week we saw Peter Frampton in concert. This is the third time for Susan, fourth for me. We saw him together when he played in David Bowie’s Glass Spider Tour, then long ago when he played at an abandoned drive-in theater in Ogunquit, Maine (the first stop in a comeback. He was testing material. And it was bittersweet then. In the middle of the concert he had to put on glasses to read something. He apologized to us. I remember everybody waving cyalumes, not lighters). He’s still got it. He has neurologic challenges that are making it difficult for him to perform. Couldn’t tell by his performance. And gracious as always…

He opened by letting everybody know they could video and take pix of his first three songs, then he’d prefer if we all simply sat and enjoyed.

We did.

But this post is about the first time I saw Frampton perform. I was already a big fan. I told anybody and everybody that he was underrated, that he had serious chops, pay attention.

And we’re talking the early to mid 1970s.

The first time I saw Frampton perform, I was hiking The Dragon’s Spine and came down to resupply. That meeting stayed with me and became a focal point in my Pushcart nomimated story, The Weight. Here’s the excerpt that deals with my meeting Frampton many years ago (read the full story).
Continue reading “Peter Frampton – The Weight”

30 Years to Publication

It took two months to write, thirty years to get published. And you know what? It was worth the wait.

I am so proud. I wrote The Augmented Man in April of 1990. Now I’m holding copies in my hands.

 
And the delay wasn’t because of slow mail.

I wrote the novel side-by-side with the novella, The Goatmen of Aguirra (to give you an idea of what my mind was working on at the time).

I’d workshopped The Augmented Man and received high praise. I shopped it around, no publisher was interested. I asked AJ Budrys, my mentor and an accomplished author and editor, if he’d be willing to read it and let me know if I was kidding myself, did it just need work, should I give up my dreams of being a published author…?

What you need to know is I was an accomplished trade technical author in the late 1980s through the early 1990s, at the height of the PC Boom (I discuss this in my interview) and my work was in high demand. I knew the publishing industry at that time.

AJ read it and was so blown away he offered to agent it for me. He’d published some of my short fiction in his Tomorrow magazine and he knew my work from workshops hence was familiar with my work, my style, my weaknesses and my strengths. But The Augmented Man caught him by surprise.

I was flattered, honored. I almost fainted when I read his letter offering to represent the novel (1990, remember? We didn’t do lots of emailing back then).

For reasons that had nothing to do with the book, AJ couldn’t land it. We met at a con and he explained the situation to me. Someday, should we meet at a con, ask me and I’ll share the story.

AJ passed and I got another agent. She loved the book. Could I add 30,000 words to it?

Sure, why?

Because it was too short. Thirty-k words longer and she was sure she could land it. I added 30k words, edited, proofed, and sent the rewrite to her in under a month.

Didn’t hear from her. Called and got “Oh, on second thought, no, I don’t think this is a good enough novel. Besides, there’s too much out there already like it.”

Really? Did you read the novel?

Yeah, sure. It’s about a guy lost in a jungle, right?

On to agent #3. Who was a joke. I finally asked point blank, “How many projects have you placed?” and she responded that she couldn’t work with someone who asked such questions. This was after the head of the agency phoned and talked with me for an hour to let me know how impressed he was by my work.

So I put it on the shelf. I went on with life.

Because I’m patient.

And now I’m holding the novel in my hands.

I’m so proud.


Would you like a personally autographed copy?

(and feel free to pass this on to every one)

Intention (Parts 1 and 2)

Is it possible to be so present the world stops and waits?

This post originally appeared in two parts on the original ThatThinkYouDo blog, resurrected to the new ThatThinkYouDo, and then the ExpandedAwareness blog. I’m reposting it here as a single entry for a friend.


Part 1
I’ve been studying people who are “living with intention” for about thirty-five years now. Originally I found them due to my cultural anthropology studies. Now I’m finding a few of them in the modern world.

“Living with intention?” you ask. “What does that mean, exactly?”

Hmm…the simple answer is “Living with Intention means paying attention to everything you do” and that’s so weak, so minimal, that only a western trained mind would offer it, so I apologize.

It means being in the moment…while appreciating (not quite, not exactly. English is limited in its ability to express this concept. Or I am limited in my ability to express this concept)…feeling?…every moment that came before you and will come after you.

It means doing whatever you’re doing as if it the fate of the universe hung in the balance…while being able to laugh at yourself regardless of the outcome.

It means focusing all your attention on each individual task…while being aware of everything else that’s going on around you (and recognizing that “around you” can be very, very big).

Realize “now” can be very, very big.

 
It means taking complete and ultimate joy in everything you do…while understanding it may be the last thing that you do.

It means being aware of everything going on around, in and through you each and every moment…and being at peace with it — not necessarily enjoying it or hating it, just being at peace with it, accepting it (because there’s a difference between liking something and accepting something).

And this list gets longer and longer and longer the more I attempt to put into words what can only happen deep inside the individual (because part of intention is being able to keep two completely opposite thoughts in your mind simultaneously, penecontemporaneously).

As one of my teachers said to me, “I can help you find your door. Only you can open your door and walk through. But walking through, there’s no walking back.”

Brushing your teeth. Pay attention to what you’re doing. To how you’re doing it. Be aware of the feel of the brush in your hand and the bristles on your teeth and the taste of the toothpaste and the brush’s movement on your gums and … and be so aware of the fact that you’re doing all this that it becomes a game to you, something to delight in, something to rejoice in, something to be thankful for, to be prayerful about.

But those last words imply something religious and nothing about being intentful is religious. Sufis live with intent but sufism isn’t religious in philosophy, only as it is practiced by some.

Some will read this and think, “Oh, Zen,” and while lots of zen practitioners live with intent the former doesn’t imply the latter. Some will think “Oh, Yin Yang” and to think that demonstrates not knowing, a lack of understanding.
Continue reading “Intention (Parts 1 and 2)”

Le Meas, Mo Charaid

One of the Last of the Goods Ones Moves On

One of my teachers passed on Sunday. It was right after breakfast. I stood by the backdoor, looking into the woods, and felt him cross over.

“Calum’s gone.”

Back in the 1990s I studied with two Celtic Teachers, Pahdeval and Da Fischer. They’d taken me as far as they could. Several hundred miles separated them and almost to the day they both told me I had to learn Gaelic – Scots Gaelic – to continue my studies because am Beurlad (Modern English) doesn’t support the concepts I studied with them.

Easy decision. Learn Gaelic. Could they teach me?

Yes, and there was another I had to study with, Calum Crùbach. In Alba Nuadh (Nova Scotia).

That’s a fairly big place. Where, specifically?

Falbh agus fios aige (Go and he’ll know).

Susan and I enrolled in a Gaelic summer school up there, an anniversary present to ourselves. We made lots of friends. One fellow, Malcolm, always seemed to be around. His humor was dry and infectious. He’d tell you a story straightfaced then burst out laughing when you caught on to the joke. He was a bawdy gentleman; courteous, gracious, considerate, always helpful, and would openly stare at a woman’s chest as if nothing else mattered.

It was a wonderful time and, as graduation approached, I had tshirts made up for the class, something to remember each other by.

I wasn’t sure of my Gaelic and he had a thick accent although he wasn’t teaching (he was studying pìob mhòr – traditional bagpiping). I asked him to help with my translations.

Happy to. He came up with a few translations that made advanced students laugh and blush. I asked Malcolm to translate “Don’t know the words, don’t know the language, gonna wing it.”

One teacher, a Scottish School M’arm if ever there was one (she was a Presbyterian minister’s wife and it showed. A lot), read one of the translations and walked away, shaking her head. “That’s not what it says, not at all at all at all.”

Tapadh Leibh, Malcolm (Thank you, Malcolm).

That’s when he corrected me. “Calum.”

Gaelic curses are a riot. Learn them. And be careful. They look a lot like harmless sayings…
…unless you know the people, the culture, the Way of Ocean and Earth.

 
Calum came from the Outer Isles and a line of Celtic StoryTellers. He had a tale for everything. Teaching stories, thinking stories, growing stories. Lore.

He asked me to help him translate fairy tales into a colinear Gaelic-am Beurlad to keep the language alive. He did it to teach me, more than anything else. To get me use to the rhythms, the meanings. The why of the Celts and Gaels, what cultural anthropologists know as the ceremony versus the ritual.

He taught me the traditions (fios agam) behind Scotch (if you think it’s just for drinking or celebrating, you…have studied differently than I have), the myths and not-myths of the Celts and Gaels. He taught me to sing the waulks, to summon the seas and quiet the earths.

He taught me how to see through the present to the past, into the deep past, and to respect the Old Ones of the Isles for choosing to reveal themselves to me and not to others.

He told me my name.

And he’s moved on.

Stad gu math, a’ Chalium.

Le Meas,
Eois