At the end of Metrics? We don’t need no stinkin metrics! (finale), I wrote “(anybody notice I haven’t covered “How do you demonstrate you’ve written a well-told, interesting story in a tweet?”
that’s a big question. let me think on it a bit and get back to you.)”
This is me getting back to you.
The first way to demonstrate you’ve written a well-told, interesting story in a tweet is to practice your craft (to which most authors go “Duh!“).
But think about it. You need to demonstrate your competency in both story-telling and -crafting in 250-260 characters (the link to your work’ll take up some characters) (want to see a kind-of master at this? Check out @ShorterThanFic. His tweets are both a riot and gems.)
A tweet demonstrating you’ve written a well told, interesting story is primarily a sales tool and great sales tools get past all the defenses consumers have developed to sales pitches and touch them at either their core or identity levels. They need to slow the consumer down enough to focus on the sales pitch’s content and not everything else going on around them distracting them from the pitch.
In other words, a good sales pitch aka a tweet demonstrating you’ve written a well-told, interesting story needs to get inside the consumer and make sure nothing else gets in for long enough for the pitch to take root and become actionable (== the person wants to buy your book or at least learn more about it).
This takes us back to blurbs. A blurb’s header is often a good tweet. I don’t recommend summing up your novel in one sentence. That exercise may be useful when submitting to agents and publishers but it usually takes the form of a statement and statements rarely have a call to action (an inducement for the consumer to purchase or learning more).
For example, some good tweets re The Augmented Man might be
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