Barry Longyear’s “Science Fiction Writer’s Workshop – I: An Introduction to Fiction Mechanics”

A Series of Open Book Exams on Writing, Regardless of Genre

This is another book I picked up years ago during my first round at writing. Longyear signed it and I’d highlighted parts of it so obviously read it before and didn’t remember doing so.

The power of this book is that it’s written from a student’s perspective. Longyear (I’m thrilled to see he’s still active. I lost track of him for several years) puts in the effort to remember his mistakes and the mistakes of others, and show the reader how to correct them. Another strength is the book’s examples – mostly from Longyear himself – with detailed explanations of what’s wrong with them and how to fix them.

 
Each chapter comes complete with an extensive Q&A/Study guide at the end, every answer to which can be found in that chapter or by combining knowledge gained from previous chapters with the current chapter. Anybody remember “Open book exams”? This is one and it’s a wonderful training program.


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Writers Groups – Critiquing Methods – Ruled to Death

Beware the Sayer of the Law

This is the last installment of a thread covering critiquing methods I’ve encountered in my writing career. This post is a catch-all for any workshop/critiquing group that hands you a list of rules you have to follow. I highlight three distinct types I’ve encountered.

Review
Finding a critique group that’s good for you is based on one question:

What is your goal/reason for being in a critique group?

 
My goal is simple and direct; improve my storytelling and storycrafting/increase my skill levels/learn my craft.

Rules
Any time or place a group of people get together for a single purpose, rules will apply. The best rules are those shaped by consensus and accepted democratically. They may be spoken, unspoken, written, tacked on a wall, handed out, understood, …
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Writers Groups – Critiquing Methods – Forced Positives/False Positives

Does it count if I say “I love the font you used!”?

This is the fourth installment of a thread covering critiquing methods I’ve encountered in my writing career. This post discusses a critiquing method wherein participants have to say something nice about a submission before they can critique it.

Review
Finding a critique group that’s good for you is based on one question:

What is your goal/reason for being in a critique group?

 
My goal is simple and direct; improve my storytelling and storycrafting/increase my skill levels/learn my craft.

You have to say something nice
These critique groups vary from “You have to say something nice first” to “You can only say nice things”. This format falls under a larger format I call “Ruled to Death”. The You have to say something nice format occurs so often I’m giving it its own post.

First thing; if a critique group has this rule in place, it’s probably a reaction to harsh and perhaps abusive activity. Get out while you can!
Continue reading “Writers Groups – Critiquing Methods – Forced Positives/False Positives”

Writers Groups – Critiquing Methods – The Month Long Read

You’ve had it a month and all you can offer is “You use the word ‘blue’ a lot”?

This is the third installment of a thread covering critiquing methods I’ve encountered in my writing career. This post discusses a critiquing method wherein participants receive copies of work ahead of time (usually a month), read it, comment in writing, then meet to share their thoughts and suggestions once per month at which time they also provide the author with their written comments.

Review
Finding a critique group that’s good for you is based on one question:

What is your goal/reason for being in a critique group?

 
My goal is simple and direct; improve my storytelling and storycrafting/increase my skill levels/learn my craft.

Participants have a month to read and comment on a manuscript. No reading during the group (except for example purposes)
Most of my experience comes from groups like this. The majority of the sessions are devoted to critiquing. Socializing occurs after the critiquing session (although people often bring shareable munchies because the sessions are held in private homes or reserved rooms in libraries, et cetera).

The good is that people have had a month to read, comment, review their comments, come up with solutions to what they consider a problem, …, the negative is that people will get used to your style, genre, et cetera (something I mentioned in Writers Groups – Critiquing Methods – Read ’em and Weep).

Let me share an anecdote to demonstrate this.
Continue reading “Writers Groups – Critiquing Methods – The Month Long Read”

Writers Groups – Critiquing Methods – Read ’em and Weep

You want readers familiar with your work, you don’t want critiquers familiar with your work

I previously discussed The 20 Page Whack critiquing method. This time I’ll focus on a critiquing method wherein one person reads a piece and then others, who haven’t read it previously nor read along as it’s being read, critique it.

Review
Finding a critique group that’s good for you is based on one question:

What is your goal/reason for being in a critique’ group?

 
I answered this question as it pertains to myself in Writers’ Groups – Introduction and The 20 Page Whack; improve my storytelling and storycrafting/increase my skill levels/learn my craft.

As mentioned previously, I’m discussing critiquing groups that meet monthly and of course, I’m discussing methodologies I’ve experienced.

Someone reads a piece and people critique it after it’s read. Nobody sees the material before it’s read.
Strong suggestion up front; Attend a few of these meetings before you read your work to them.
Continue reading “Writers Groups – Critiquing Methods – Read ’em and Weep”