An Experiment in Writing – Part 15: Author Voice, Character Voice (Part 1)

This experiment starts a thread which looks to be three posts long.

So far, anyway.

My goal is to demonstrate that character voice – the way a character talks, the words they use, how they emphasize things, grammatical and linguistic quirks, … – reveal character, including any changes they’ve gone through as the story/novel progresses.

Author voice is similar to the above and covers the entire work, not individual characters. It is your brand, if you will, and how readers recognize your work as separate and distinct from others.

Let me know how good a job I’m doing. Feel free to ask me to elaborate. Currently I recognize this is one of those things I know and never had to explain to myself.

 
Think I’m onto something? Take a class with me or schedule a critique of your work.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

Get copies of my books because it’s a nice thing to do, you care, you can follow along, and I need the money.

An Experiment in Writing – Part 14: Exposition via Character Revelation via Deep POV

This experiment follows a thread/arc started in An Experiment in Writing – Part 12: Overwriting, Toing and Froing and continued in An Experiment in Writing – Part 13: Exposition via Dialogue, the latter being wherein I offered

Exposition – an ugly lump of glucky words authors plop into their work with the intention of getting information to the reader.

Usually because they’re either lazy or don’t know any better.

Especially if it’s glucky.

 
I use Deep POV a lot and suggest it for the very purpose I demonstrate here: to get necessary story information to the reader and reveal character simultaneously.

Efficient writing that, dual purposing a section to incapacitate two aerial habituators penecontemporaneously.

Yeah, I’m an author. Can you tell?

 
Think I’m onto something? Take a class with me or schedule a critique of your work.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

Get copies of Empty Sky and follow along.

For that matter, pick up several dozen copies of all my books because it’s a nice thing to do, you care, and I need the money.

An Experiment in Writing – Part 11: Language/Word Choice

Language is much more than how you use verb tenses and what adverbs and adjectives do, and word choice is much more than using the right word versus the almost right word.

This experiment in writing explores how to create a reading rhythm which keeps your reader reading, and how to use language to emphasize what’s happening on the page.

 
Think I’m onto something? Take a class with me or schedule a critique of your work.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

Pick up several dozen copies of my books because it’s a nice thing to do, you care, and I need the money.

Or you can get copies of and The Book of The Wounded Healers and follow along.

An Experiment in Writing – Part 10: ACTION SCENES! (finally)

Okay, you’ve all been waiting for this one…

Or at least I’ve been promising it for a while…

Pretty much everything covered here is in Writing Realistic Hand-to-Hand Combat Scenes.

 
Think I’m onto something? Take a class with me or schedule a critique of your work.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

Pick up a copy of The Augmented Man and follow along.

For that matter, pick up multiple copies of any and/or all of my books because it’s a nice thing to do, you care, and I need the money.

The Book of The Wounded Healers (A Study in Perception) Chapter 49 – Hormone-Free Dancing In Harlem now available on BizCatalyst 360

BizCatalyst 360°’ Chief Imagineer and Founder Dennis Pitocco wrote a beautiful forward to my The Book of The Wounded Healers (A Study in Perception), and also offered to share some chapters (selected by my first readers) on the BizCatalyst 360° site.

Today’s offering is Chapter 49 – Hormone-Free Dancing In Harlem.

Enjoy.