Cymodoce (Part 2)

Cymodoce seems to be one of my best loved stories. EU actress Sabine Rossbach performed a reading of it and talks about it often (see Sabine Rossbach’s Happy Hour – 14 May 2020 Interview (wherein she waxes wonderfully about “Empty Sky”) for an example), parAbnormal published it in June 2019, there’s an ebook version and it appears in Tales Told ‘Round Celestial Campfires.

By the way, a prominent Brit-based publisher and I have entered contract negotiations for Tales. It may not be self-published much longer. I’d suggest getting a copy now. Big changes are in the works, it seems.

 
I’ve broken the story into three parts starting with Cymodoce (Part 1).

Creator and above level members can download the entire Tales PDF version here


Cymodoce (Part 2)

Jenny returned to the cottage to finish her last book. She had two hundred pages to go. That would finish the day. Tomorrow, she would close up the cottage and head back to New York, back to the silent security of teaching Drama to the Deaf.

The sun was strong and Jenny realized she hadn’t even bothered to get a tan so she put on a baggy pair of shorts, a bathing top, sunglasses, a wide brimmed hat, shoved an apple and penknife in her pocket, grabbed her book and wheeled a beach lounger outside. With one hundred pages left, she heard something. It sounded like the clacking of lobster buoys adrift in the shallows. Sounds didn’t make her nervous, but she knew every sound the cottage, the island and the ocean could make. This wasn’t one of them. Either someone was playing a joke or someone was hurt. She wasn’t sure if the locals could be that immature, but she wouldn’t put it past them. Twenty-five pages later she heard it again.

The sound came off and on with the wind. Unsure what it was, she investigated.

It stopped as she neared the dock.

“Hello?”

There was nothing there. No signs of any craft except Jenny’s own securely moored boat. She started back up the path and it started again.

There was a man lying among the rocks on the shore.

She walked towards him. “Are you all right?”

His naked body was cut and bruised in several places. Parts of a nylon fishing net cut into his flesh. The wounds had festered. His legs were bound in various lines. He rolled onto his stomach as she neared. His back was blistered from the sun.

“My God, what happened to you?”


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Hey! You Know What? I’m one of 30 Amazing Authors! It Says So Right On the Cover!

“The Magic Tassels” is in The Write Festival’s Fantastic Stories Anthology

This is one of those fantastic times when an editor contacts you and asks you to submit a story to a festival.

“Are you saying I’ll win?”

No, the editor wasn’t. The editor was asking me to submit a story to a festival.

Because she likes my work and believed it’d be a nice fit.

“Are you one of the judges?”

No.

So what the heck, go for it!

I submitted The Magic Tassels thinking I didn’t have a chance.

Turns out I did.

I received an email that my work was shortlisted.

Then I received an email that it was going to be published.

And you know what?

I’m so glad!

 

 
Want to know the story behind the story?
Long ago I studied cultural anthropology/behavioral psychology specifically with indigenous communities and as a participant/observer.

Part of that participant/observerness meant learning what they wanted to teach me. One thing I learned is that there are twelve disciplines (that I know of) within most Shamanic Communities regardless of their location, environment, …

One such discipline is that of StoryKeeper and another is StoryTeller. People confuse the two and StoryKeeping is a different discipline from StoryTelling. Both are extremely important to the people.

StoryTelling is the use of traditional mythologies and related cultural metaphors to guide the people, heal the tribe, remind, teach, et cetera. If you’ve ever been with someone who could hold your attention, cause your imagination to fire, make your heart pound and breath come in gasps while they told a story, you’ve been with someone who, in traditional cultures, would be the people’s StoryTeller. StoryTeller disciplines appear in modern societies as everything from stand-up comics to psychotherapists to engaging lecturers to (ahem) authors.

StoryKeepers and StoryTellers may share a few stories in common and that’s where the similarity ends. StoryKeepers are the living histories of their people. StoryTellers will create new stories based on need, StoryKeepers can’t with a few specific exceptions.

StoryKeepers’ role is to preserve the history, unchanged, from generation to generation while adding each generation’s story to the history of the people. It is no small task and various cultures have methods for developing a memory that blends synaesthetic recall (think “full sensory eiditic memory”) with hyperthymesia, et cetera. Modern studies have shown that these methods make use of neuroplasticity to a high degree and people trained in such disciplines have described “feeling” their brains making new connections.

One thing required of all StoryKeepers is that they create a story that tells of their coming into the tradition. So the two occasions when StoryKeepers add to the people’s history are when they add their own story to the tribe’s tradition and as new historical elements are added (usually with agreement of the people).

“The Magic Tassels” was my addition to one culture’s history when they asked me to become a StoryKeeper of their people.

Mark Hayes posted “Is Your Work Product or Art?” on his blog!

Few things thrill me more than fellow authors ask me to contribute to their blogs.

Okay, a good mutton sandwich will sometimes thrill me more. Must be the Miracle Max in me.

But I do experience a shiver of delight when an author asks me to contribute to their blog, compliments me on my work, thinks well of me, and so on.

Mark Hayes, accomplished author in his own right, also praised my The Augmented Man.

And most recently he published Is your work product or art?.

Ah…I am loved…

Cymodoce (Part 1)

Cymodoce seems to be one of my best loved stories. EU actress Sabine Rossbach performed a reading of it and talks about it often (see Sabine Rossbach’s Happy Hour – 14 May 2020 Interview (wherein she waxes wonderfully about “Empty Sky”) for an example), parAbnormal published it in June 2019, there’s an ebook version and it appears in Tales Told ‘Round Celestial Campfires.

By the way, a prominent Brit-based publisher and I have entered contract negotiations for Tales. It may not be self-published much longer. I’d suggest getting a copy now. Big changes are in the works, it seems.

 
I’ve broken the story into three parts starting with this post.

Creator and above level members can download the entire Tales PDF version here


Cymodoce (Part 1)

Jenny silently guided the rowboat to the dock, all the while keeping one eye on her three-year-old twins, Davy and Cymmi, sitting in front of her. When the boat was next to the mooring Jenny grabbed a line, pulled the boat to the dock and tied it. It was the first time she’d been to the island since the twins were born. Her parents, who died within a week of each other the previous fall, left her the dock, the boat, the cabin, the two acres of land, and only property taxes and upkeep to concern her.

Davy fidgeted. “Mommy, I’m hungry. Can we eat now?” She put a finger to her lips and Davy pouted. Cymmi was leaning over the side of the boat, splashing her hands in the water. She paused, looked out over the waves, then splashed harder.

Jenny moored the boat, lifted a lunch basket and helped the children onto the dock. “Mom,” Davy whined, “I’m hungry.”

“We’ll go up to the cabin and eat. Okay, Davy?” They started up the narrow path.

“Mom, Cymmi’s still by the water.”

Jenny looked up. Cymmi was in up to her ankles. Jenny dropped the lunch basket, ran back and lifted Cymmi from the water. Her feet glistened. Cymmi kept looking at the waves as Jenny sat her by the lunch basket, took out a container of fresh water and poured it over Cymmi’s feet. The tiny, silvery marks began to fade and Jenny signed /COME /EAT /NOW /PLAY /LATER /OKAY/?// She took Cymmi’s hand and gently pulled her along.

Much later, when Jenny had put the children to bed, she walked down the path and sat on the dock. She took off her sandals and swished her feet in the ocean. Across the Sound she could see the lights of the Maine coast. The island had always been a quiet place. Even in the heat of the tourist season, when Route 1, heard if not seen across the Sound, was a tangle of campers, buses, and hitchhikers, the island was left to the three New York families who owned it and had cabins there.

The sounds of summer came across the water. She tried to match the sounds with the lights. Fuzzy rock music came from Beniroo’s, an old icehouse turned bar and nightclub. When Beniroo’s music paused she could hear a calliope and, intermittently, people giddily screaming. That would be Funland. She could see the Ferris wheel spinning and the roller coaster trestle climbing into the sky. Search lights swept back and forth, sweeping the ocean mists inland and then back out to sea. To the north she could pick out the tinny guitar and muffled bass of The Word’s tent meeting, preaching God’s message to the summer sinners.

Something tickled her foot and she jerked it from the water. Soon the tide would turn and go out. Fundy had powerful tides, aided this night by the moon overhead. There was a splash out by the rocks. Something bobbed briefly about forty feet from her. She heard another splash, saw a rippling approach her through the waves. /HELLO/?//

“Mommy?” Davy’s voice pulled her back to dry land.

There was a slight almost soundless splash in the water.

Jenny’s heart pounded. She fumbled getting up. “Yes, Davy?”

He walked over to her. “Who’re you talking to?”

She smiled and ruffled his hair. “Just the fishes. I told them we came back this summer. Now, what are you doing out of bed?”

“I couldn’t sleep.”

She lifted him up so he could ride her hip as she walked. He wrapped his arms around her neck and cradled his head in her shoulder. “Come on, little man, you can sleep with me tonight.” Davy’s arms hung limp by his sides before they got back to the cabin.

She put Davy in her own bed and checked Cymmi before returning to the kitchen. There she made herself a cup of coffee and, from a window, watched the coast lights go out, one by one.

The next day they cleaned the cabin. Jenny and Cymmi doing most of the work. Davy would sweep, watch them, see something outside, go investigate, come back a few minutes later, sweep some more, and watch them again, repeating the pattern over and over.

Jenny, moving the broom in careful strokes, swept up memories along with the dust bunnies. Twelve years earlier, too young and too protected to know different, she’d come to the island with Anthony DiGracio. They were what, she wondered, sixteen then?

She remembered that at sixteen, the skinny, olive-skinned fisherman’s son had fleshed out into a handsome man: his dark curly hair heavy on his head, now darkening his chest and stomach, his blue eyes smiling under long lashes.

Jenny walked through the town with her parents and their friends for almost three hours that day. Not once did the conversation waver from stocks, clients, or banks, all of which bored Jenny to death. As Jenny’s people walked off, Anthony tapped her arm. “Wanna go out to the island?”

They went in Anthony’s skiff. He rowed with his shirt off, his muscles knotting and unknotting rhythmically under his skin.

They closed the cabin door and, before she knew it, he was up against her, his sweat and teenage cologne a miasma around her, his hands gentle but searching.

They were on the bed and her jersey was off when she heard something. She was about to ask Anthony if he heard anything when the door opened.

Daddy stood there.


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The Exchange

This story came about from a book I’m reading intersecting with a conversation I had, a TV show Susan and I watched, and a desire to practice my flash storytelling techniques.

Hope you enjoy.


The Exchange

Dolan stood beside her Chevy Suburban’s open driver door and watched the woman approach. The black Suburban, the government plates, the fogged windows, it was a magnet to some people. Usually men, though. Their eyes lit up like kids on Christmas morning. “Hey, you with the Government?”

The woman stopped on the other side of the Suburban and held up a mobile so Dolan could see her son on the screen, sitting at a table playing with some building blocks. Behind him a window showed a cityscape.

“As you can see, Ms. Gelina, your son is quite safe and happy. How long he stays that way is completely up to you.”

Dolan kept her eyes on the screen. “What do you want?”

“What we want is for you to do exactly what we tell you to do. Do what we tell you to do and your son will be safe and home in twenty-four hours. Don’t do what we ask, you’ll never see him again.”

Dolan swallowed.

“And if anything happens to me, anything at all, your son dies.”

Dolan nodded. She opened her purse.

The woman shook her head. “We don’t want money.”

Dolan removed a pistol, aimed it at the woman’s vagina and pulled the trigger. The woman fell, her mobile falling from her grasp.


Greetings! I’m your friendly, neighborhood Threshold Guardian. This is a protected post. Protected posts in the My Work, Marketing, and StoryCrafting categories require a subscription (starting at 1$US/month) to access. Protected posts outside those categories require a General (free) membership.
Members and Subscribers can LogIn. Non members can join. Non-protected posts (there are several) are available to everyone.
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