Science Fiction – Page 44 – Joseph Carrabis, Author Blog

WALK, DRIVE, RIDE, FLY OR SWIM, JUST BE THERE!

A man, a horse and discoveries on every page

Real live actors will be reading Gable Smiled, a work in progress, on a real live stage!

I’ll have a Q&A with audience members after the reading.

(this is so exciting)

Sunday, 31 March from 6:30-9pmET
Hatbox Theater, Concord, NH

NH Writers Project Hatbox Readings

New Hampshire Writers’ Project Readings at the Hatbox Theatre is a semi-regular theatrical and literary event series where actors read entertaining selections from ‘works in progress’ by three NHWP authors, and the audience offers feedback, critique, and reactions.

This event will not only allow the author to “hear” some of their novel, story, or book, but also receive immediate feedback. The audience will experience new works from NH authors live and contribute directly to an author’s creative process.

General admission.
NHWP or Hatbox Members: FREE
Adults: $10; Students/Seniors: $7.

Hatbox Theater, Concord, NH

Rachel, Above the Clouds…but we’re not sure if she’s Flying

To be embraced by passion, as if set on fire by the sun

I recently had a short story, Rachel, Above the Clouds, published by an online, Across the Margins. The original title was “Rachel, Above the Clouds, While Flying” and was written for a writing class I took in the early 1990s. I updated the technology in the story some, not much. Below is the version I submitted and you can use the link above to read the published version.
I’d appreciate your thoughts on which is the better story, and why.

Joseph Carrabis' 'Rachel, Above the Clouds' on Across the Margin

“SolarMax Ten to Houston.”

“This is Houston. Go ahead, SolarMax.”

“Ted, you feeling okay today? You sound awful froggy.”

“Guess again, Rachel.”

“Benny? Is that you?”

“Hi, Raech. Long time no hear.”

“What are you doing riding bridesmaid, Benny? I heard you’d gone civ.”

“I have, I have. Mission Control said the last few days had been rough and thought you’d like to hear a familiar voice on your last morning up.”

“How sweet of them. I’m kind of surprised to hear your voice, though.”

“Well, you know. Mission Control wanted to do something special on your last day up and they brought in me.”

“Thank them for me.”

“Will do.”

“Anybody else down there waiting for me?”

“Well…of course, Rachel. There are lots of people.”

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Can I be honest about your writing? (Part 5 – Could you provide examples of suckness?)

Tell the same story better

Part 1 – Oh, the Vanity of it all! of this multi-post arc dealt with some folks I knew who vanity published their books back when we called vanity publishers “vanity publishers”.
Part 2 – Vanity/Self-Publishing provided an overview of Vanity and Self publishing.
Part 3 – What Camp Are You In? identified four reasons people consider self-publishing.
Part 4 – Pray thee, Joseph, 4 Y do these books suck? delved into editing that doesn’t help a book.

Can I provide specific examples from other authors, no. I may think a given author’s writing sucks or an individual piece of writing sucks and I still respect the fact that they’re putting something out, that they got off the couch.

General examples, sure:
Continue reading “Can I be honest about your writing? (Part 5 – Could you provide examples of suckness?)”

It’s a Man’s World

No man wants to be another’s pet, and love can’t free a slave

“Where are you going?”

Susan’s face softened but she looked away.

All the women in the neighborhood were dressed in what we use to all “Easter Sunday” clothes; light dresses, bright, Spring colors of sky blues and yellows and whites, some with flower prints with big roses or tulips or daffodils or morning glories or black-eyed susans and all with long, lush green vines wrapping around them. All of them wearing wide-brimmed sun hats, many with scarves tying their hats around their chins. A few wore sunglasses. All had nice big purses, lots of different colors but most of them white, white cloth gloves covering their hands and all of them in either tasteful heels or flats. Nobody was wearing stilettos or CFMs of any kind.

And they gathered in front of my house.

It started with AnElla. I was walking the dog and she came out of her house in her Easter Sunday finest. I waved and she ignored me, walked back into her house then and came out with all her daughters, her granddaughters, her sisters, even her ailing mother-in-law. They were all standing nice and neat and trim and proper in front of her house.

A few minutes later all the other women in the neighborhood came out of their homes and stood in front of their houses. Mothers, daughters, grandmothers, aunts, sisters, they looked around, waved at each other, a few looked at the sky – not a cloud to be seen, by the way. Clear sky, bright sun. Clearest I’d seen it in years, really – and one by one then two by two they moseyed over to my house.

Susan came out dressed like all the rest. Sunday is her day to sleep in. I didn’t even know she had those kinds of clothes anymore.

A bus pulled up. An open air bus, a kind of parade or tourist bus with a roof but no windows. The paintjob matched the women’s dresses; blues and yellows and whites and flowers everywhere. No city markings whatsoever.

Women gathered around the bus. Some got in. Susan stood in line with them.

“Where are you going?”

“Don’t worry. It’s okay. You’ll be fine.”

You’ll be fine?

Here’s the thing about Susan: she can’t lie. She never could. Not to me, anyway.

“No, come on. Where are you going?”

Tears welled up in her eyes. She looked away. “It’s okay, Paul. I’ll be back soon.”

Grafton’s Ghost-Child

Even unto the Seventh Generation

Grafton turned the knob on his daughter Cloe’s bedroom door so slowly, thankful for the patience that came so naturally to him. The doorknob would sometimes crick and he didn’t want to wake her, just peek in to watch her sleep, make sure she was snug under the covers. Sometimes Amanda would open the window in their daughter’s room to let the night air in and Cloe would curl up into a tight little ball, just her nose exposed and forming a little steam tent.

She was adorable.

His hand turned past the crick, he opened the door slowly. Sure enough, a few icy snowcrystals blew in as he entered and Cloe was beginning her curl into a ball. Like her father, she was patient. It would take about ten minutes before she was done, never waking once. Grafton had watched her do it.

As he entered, Cloe’s Merchant-Ghost looked up. It was sitting in a recliner beside the nightstand next to his daughter’s bed. It was reading a book – Grafton could see it in his hands. It had to be as ancient as the merchant ghost itself – it’s eyes emitting that odd red-yellow light to illuminate the pages. The Merchant-Ghost nodded, its tree-like body and bark-like skin folding as it moved, then went back to its reading.