On Writing Science Fiction: The Editors Strike Back

A worthy read for authors regardless of genre

On Writing Science Fiction is about writing science fiction only as a topic, not as a focus. Somewhere in the book is a money-line about the book teaching writing first, fiction writing second and writing science fiction last.

Quite true and accurate! This book is a gem for anyone who wants to write. Don’t worry about the genre aspect, it’s a great study.

On Writing Science Fiction: The Editors Strike Back

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Characters Part 4 – Minor Characters

Nobody cares who the masked man is if he doesn’t use his gun.

Are they noticed then forgotten?

 
Does a character not have a name but is noticed by primary or main characters? That’s a minor character. Minor characters show up once or twice in a story but interact with the primary and main characters to reveal something the author wants to reader to know.


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Characters Part 3 – Secondary Characters

Do they get a name? Are they uniquely described or identified?

 
Does a character provide focus but not often? Do other characters in the story know them by name or by some unique attribute or description?

Any character that gets a name or is unique description/identification is at least secondary and perhaps primary.

Naming Names
Any named character becomes important due to human psychology; describe someone as “a waiter” and we’ve described their function, describe someone as “Bobbie the waiter” and we’ve given them an identity.


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Characters Part 2 – Primary Characters

What these people doing on these pages?

This is the third installment in a series I’m doing on StoryCrafting. We started with Revision and followed that with Characters Part 1 – Main, Principal, Central.

One of the comments I often get regarding my novel Empty Sky is the number of primary characters it contains.

Primary characters?

Yes! You know those characters that are neither main protagonist nor main antagonist yet without whom your story wouldn’t exist? Those are what I call primary characters. A working story with only two characters (and those two characters better be your protagonist and antagonist) is going to be either brilliant or short and perhaps both. Often those two characters needs to be complex to make the story interesting. A story with only one or two characters of only one- or two-dimensions that’s interesting…well, I haven’t read one (and am open to suggestion).


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Characters Part 1 – Main, Principal, Central

Who is that person and what are they doing in your story?

This is the second installment in a series I’m doing on StoryCrafting (this series began with Revision). This time we start investigating characters. Readers tell me I do great characters and my character development and growth are outstanding (one publisher wrote me that my characters are “spot on”).

Yippee for me because I work at it. It’s nice when one’s work is recognized and appreciated.

Part of my working at character resulted in my breaking down characters into categories based on their purpose in a story; Main, Primary, Secondary, Minor and Stage Direction. Character categories are different from character types; hero, villain, love interest, sidekick, comic relief, et cetera.


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