Using One-Line Summaries to Write Better Stories

Sometimes a story, scene, or chapter isn’t working as you wish. Sometimes a completed story doesn’t have the oomph! you want it to have.

Here’s a suggestion for getting your story, scene, or chapter working as it should.

Write a one-line summary that tells your story
Let’s say (for example purposes) we’re working with a completed short story. We recognize the story is flawed but are unsure what the flaw is. We write the one line summary Man with a painful past hopes for a better future.

That’s a start and, if that’s the entirety of the story, the flaw (from a StoryTelling perspective) becomes obvious: it’s cliched.

“Hoping” for a better future but doing nothing to get that future makes a character pitiable (maybe) at best. They are the person who complains about their life but does nothing to change it.

Not interesting (especially if it’s the main character in the story).

Rewrite the one-line summary to include some action on the main character’s part which indicates that character is working towards a better future; Man with a painful past sees opportunity for a better future.

Okay, better but still not much and still cliched. If the character sees an opportunity then the reader must share that experience. But if the character doesn’t act on what is seen, they’re even more pitiable than before, possibly a coward, and probably someone the reader would avoid in real life.

Not good.

Make sure your summary includes the threat/challenge/possible loss to the main character if they don’t change!

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“Interview with Joseph Carrabis” now on Lily Iona Mackenzie’s Blog

Here’s a sample of author Joseph Carrabis’ wonderful wit that comes through in my interview with him: Where do your characters come from?
Toledo. I have an apartment building there and rent out rooms to them. They come, stay a while, then move on. I’s a good deal because the rent’s cheap and I change their names before writing them into stories.

Lily Iona Mackenzie puts me to task with questions ranging from where characters come from to why I write to dealing with speling erorrs.

Get the whole story now on Lily Iona Mackenzie’s blog

(and thanks to Lily for interviewing me)

“Author Feature The Augmented Man by Joseph Carrabis” now on WorkingTitleBlogspot

The Augmented Man by Joseph Carrabis is based on Joseph’s research into helping traumatized children and combat PTSD sufferers to heal. It’s a sci-fi military thriller set in the near future.

I answered three questions for WorkingTitleBlogSpot:

  • Is it important to include all shades of belief and sexual orientation in a book?
  • What is worse? Ignorance or stupidity?
  • Do you have any marketing tips for fellow writers?

(and I had a good time doing it!)
Get the whole story now on WorkingTitleBlogSpot

(and thanks to WorkingTitleBlogSpot for interviewing me)

“Q & A with Joseph Carrabis” now on Matthew Stern’s Blog

One benefit of social media is you meet some wonderful people. One of them is author Joseph Carrabis. He has been everything from a long-haul trucker to a chief research scientist. He has taught internationally at the university level; holds patents in a base, disruptive technology; created a company that grew from his basement to offices in four countries; and helped companies varying in size from mom-and-pops to Fortune 500 companies develop their marketing. Most of this bored him. But give him a pen and paper or a keyboard and he’s off writing, which is what he does full-time now.

Get the whole story now on Matthew Arnold Stern’s blog

(and thanks to Matthew for interviewing me)

“Owen and Jessica” now on The Yard: Crime Blog

Subscribers may remember Owen and Jessica from previous posts. It’s a flash piece and always got laughs and applause when I read it publicly. I shopped it around, got lots of excellent comments from editors (who always asked to see more of my work) and no bites until this week.

 
Owen and Jessica was a fun, quick write that required little editing.

Blood gathered in the whorls of his thumb. He stared at it and chuckled before licking it clean.

 
It came out pretty much fully formed.

That’s an author’s way of saying “It only took twelve rewrites.” Most of the rewrites were for timing and tension; change a word here or there. One major (and important, me thinks) edit came late to the game; I added the third and fourth paragraphs from the bottom, from “He stood over…” to “…didn’t fit.”

Let me know what you think.

You can follow The Yard: Crime Blog on Facebook and MeWe.

Enjoy!