Ruminations Part 3 – Sensitivity Readers, Part 4 – Is your character POC or POM?

My first rumination can be found at Ruminations Part I – “Your eyes are completely healed”
My second at Ruminations Part 2 – Numbers lead to informed decisions
Rumination Part 3-1 is Ruminations Part 3 – Sensitivity Readers, Part 1
Rumination Part 3-2 is Ruminations Part 3 – Sensitivity Readers, Part 2
Rumination Part 3-3 is Ruminations Part 3 – Sensitivity Readers, Part 3 – I Take a “Writing the Other” class


One member of a writing group told me they read a story in which a Magical Voodoo person saves the day.

The class I mentioned in Ruminations Part 3 – Sensitivity Readers, Part 3 – I Take a “Writing the Other” class spent time talking about Magical Negroes and specifically Stephen King’s use of a Magical Negro in The Green Mile.

Both statements were examples of ignorance at play to me.
Continue reading “Ruminations Part 3 – Sensitivity Readers, Part 4 – Is your character POC or POM?”

Search Chapter 13 – Sunday, 20 January 1974

Search is loosely based on a real incident. The incident remains, the story is greatly different.

Enjoy. And remember, it’s still a work in progress. These chapters are rough drafts. I completed a rough draft of the entire novel on 1 June 2021, ~ 8:30pmET. It’s ~103k words, 42 chapters. I mention in earlier posts “…it seems I’ll complete the novel this time. We’ll see.”

It’s seen and done.

Read Search Chapter 12


 

Search Chapter 13 – Sunday, 20 January 1974

Harding met Morelli in the Augusta barracks parking lot. “Heard you had a busy night, Tobes.”

“Rollover on the interstate. Tire blew, they lost control. Folks had their seatbelts on, though. They got out alive. End of the dinner hour so there wasn’t much other traffic. And we got there quick. Passersby in both directions stopped at the next exits and made calls. Other folks put out flares.”

“You got artwork?”

Harding pulled a folder out of his inside coat pocket. “Right here. Giving them to the accident investigation boys. Hey, want a laugh?”

Morelli frowned at him.

“Not the accident.” He put that folder back in his coat pocket and pulled another folder from the other side. “The tow truck driver. He’s a piece of work. Asked if this was going to be in the paper. Wanted to know if I could get a picture of him and his truck in with the story. Hounded me like a son-of-a-bitch until I said yes.”

Morelli shrugged.

“Take a look.”

Morelli’s eyes popped. “He skivved down to his tshirt in last night’s cold?”

“He wouldn’t dropped his pants if I let him.”

Morelli shuffled 8x10s. “Truck’s not much to look at.”

“He’s registered with Gardiner. Something happens in the town limits, he gets a call, automatic.”

“Is he posing?”

“Yeah, said he’s a body builder or something like that. A regular Arnold Schwarzeneggar.”

“Definitely looks like it.”

Morelli tipped a photograph on its side. “You got a magnifier?”

Harding reaching into an outer pocket and handed over a Sherlock Holmes style lens.

“Mother of Christ.”

Harding stood beside Morelli and looked through the glass. “What? What is it?”

“His truck’s got vehicle plates.”

“Oh, yeah. He said he collects them from old cars, wrecks. Buys them from dealers through the mail. I didn’t know there was a market for that kind of thing. He swaps them out every few days. His rear plate is regulation, though.”

“Get his name?”

“On the back of each photo next to the date.”

Morelli flipped the photo over. “How about an address.”

“That’s in my notes. Lives in West Gardiner somewhere with a roommate. Todd something. Want me to look it up?”

“Please.”


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Cold Toes and The Wind

Here we see a hawk in January (we watch year-round, post as we can).

Poor thing; cold toes and a good wind.

Hawks don’t fret much about the wind.

They are the Lords of it.

All winged ones, actually.

Humans are, unless taught otherwise, two-dimensional thinkers.

We lost the third dimension twice in evolutionary history; once when our ancestors crawled out of the ocean and again when our ancestors descended from the trees.

Being two-dimensional, we’ve lost the ability to swim deep waters and fly long skies.

Pity.

There is a saying among my kind; Whenever an Old One dies, a library is lost.

We can not imagine what wisdom we’ve lost by destroying the oceans and skies.

Mystery Writers of America “Mystery Writer’s Handbook”

Another book purchased years ago and finally read because a work-in-progress, Search, had mystery elements and I wanted to know ahead of time what I should be doing and what to look out for.

 
Mystery Writer’s Handbook, like most of the writing books I’ve reviewed on my website, is a worthy read for all authors, writers, and writer-wannabes. It’s focus is mystery and its view is broad. Romantic suspense novels fall into the mystery fold. I didn’t know there was such a genre, but I do now and surprise! my work-in-progress with mystery elements is more a romantic suspense novel than not.

Like all writing books, it discusses character, scene, POV, dialogue, description, and the like. Its real power is in both plot – because good plot tends to drive most mystery and the plot techniques are gems – and editing – the chapter on revising and editing is truly a standout. An extra bonus is a short section on contracts. Many of the books I’ve read mention contracts, Mystery Writer’s Handbook provides a roadmap of potholes and things to avoid.

Strongly recommended.

Ruminations Part 3 – Sensitivity Readers, Part 3 – I Take a “Writing the Other” class

My first rumination can be found at Ruminations Part I – “Your eyes are completely healed”
My second at Ruminations Part 2 – Numbers lead to informed decisions
Rumination Part 3-1 is Ruminations Part 3 – Sensitivity Readers, Part 1
Rumination Part 3-2 is Ruminations Part 3 – Sensitivity Readers, Part 2


Now, once you have decided these things, don’t stop and explain them to the reader. Simply develop a feel for the character’s outlook, and try to write from that outlook. To learn how to do this, read books produced by other cultures and eras, not just fiction, but also biographies, travelogues, history, letters: everything from the Venerable Bede to Pliny the Younger to Ben Franklin’s Autobiography to the sayings of Chuang Tzu to Xenophon’s Anabasis. Observe the details. What does the author take for granted? What is familiar to him and what is strange? How does he perceived himself? From this you may learn something about creating characters who are not yourself. Every professional writer must do this. – from On Writing Science Fiction: The Editors Strike Back

I took a four-week “writing the other” class led by two sensitivity readers a while back. It was about how to properly craft a character with a background with whom the author is unfamiliar.

What became obvious is the instructors were, in my opinion, unqualified. They had no anthro, linguistic, socio, or related training. It seemed their training came from being of a certain racial/ethnic group.

And because I’m a full-blooded Italian who’s never set foot in Italy, I am, of course, unquestionably qualified to speak for the experiences of all Italians everywhere throughout all time.

It’s a wonderful world, ain’t it?

At this point in history…
A writer including a character with an unfamiliar background and getting published is something which could only happen at this point in history (barring vanity publishing) because only at this point in history are people writing stuff and putting it out there with no to little knowledge of what they’re writing about. That attitude among writers and my experience (so far) of sensitivity readers reminds me of my business days when all you needed to claim expertise was to state you were an expert louder than the person sitting next to you.
Continue reading “Ruminations Part 3 – Sensitivity Readers, Part 3 – I Take a “Writing the Other” class”