RoundTable 360° Aug 2024 – “Yeah, but you’re an idiot” on BizCatalyst 360°

There is no power without authority. There is no authority without legitimacy. Therefore, in considering rejection, we have to consider the perceived legitimacy of the authority and/or the size and perceived credibility of the institution doing the rejecting.

“Yeah, but you’re an idiot” is led by children’s book author and humorist Mark O’Brien. With poet, editor, and publisher Clarabelle Miray Fields; cozy/mystery author Donna Huston Murray; Rick DeRobertis, Brooke Erol, poet and screenwriter Ken Weene; Nick Heap, Phil Williams;and me, boring and dull Joseph Carrabis, and others.

Watch on BizCatalyst360 and enjoy.

An Experiment in Writing – Part 19: Plotlines, Timeslines, Throughlines

I ran into a challenge with my work the past week or two. I had a long story (~9.5k words) originally penned (okay, typed) in 2013 (and I’ll bet I can find earlier copies in my notes somewhere) which I had revised once in 2016, three times in 2017, once in 2018, three times in 2019 (obviously odd years are my workier years), … and now have it at version 17 in 2025.

It got closer and closer. One big early challenge was getting the voice correct. Once I had that, the story flowed.

Kind of.

The story is told through multiple viewpoints with no single viewpoint lasting longer than two pages before another viewpoint takes over and again and again and again, with each viewpoint jumping back and forth through time (hence being non-linear).

The challenge was how to give the reader a linear sense of the story without sacrificing the non-linear requirement of the story.

This is a challenge I’ve encountered before, and the solution from before worked again.

Enjoy!

 
Think I’m onto something? Take a class with me or schedule a critique of your work.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

Get copies of my books because it’s a nice thing to do, you care, you can follow along, and I need the money.

An Experiment in Writing – Part 18: Author Voice, Character Voice (Part 4)

This is the last experiment in the Author Voice, Character Voice arc. I mentioned in Part 1. I wrote back then there might be three, maybe more, and I was correct, there’s four.

My goal has been to demonstrate the different voices at an author’s disposal. Part 1 focused on Character Voice. Part 2 focused on Author as Character, something often used when the character has no language and only experience, which causes the author write through the character’s POV but without internal or external dialogue, and when the character’s observations, awareness, and explanations are somehow limited (age, language, non-human, …). Part 3 considered how to craft the story when the Author is the character. The author writes directly through the character’s POV in 1stP, increasing intimacy and immediacy between character and reader.

This post deals with pure author voice. Build worlds, set scenes, tone, develop your style (which is your brand), …

And above all else, foreshadow!

Let me know how good a job I’m doing. Feel free to ask me to elaborate. Currently I recognize this is one of those things I know and never had to explain to myself.

 
Think I’m onto something? Take a class with me or schedule a critique of your work.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

Get copies of my books because it’s a nice thing to do, you care, you can follow along, and I need the money.

An Experiment in Writing – Part 17: Author Voice, Character Voice (Part 3)

This is the third experiment in the Author Voice, Character Voice arc. I mentioned in Part 1.

My goal in this arc is to demonstrate the different voices at an author’s disposal. Part 1 focused on Character Voice. Part 2 focused on Author as Character, something often used when the character has no language and only experience, which causes the author write through the character’s POV but without internal or external dialogue, and when the character’s observations, awareness, and explanations are somehow limited (age, language, non-human, …).

This time out we consider how to craft the story when the Author is the character. The author writes directly through the character’s POV in 1stP, increasing intimacy and immediacy between character and reader.

Let me know how good a job I’m doing. Feel free to ask me to elaborate. Currently I recognize this is one of those things I know and never had to explain to myself.

 
Think I’m onto something? Take a class with me or schedule a critique of your work.
Think I’m an idiot? Let me know in a comment.
Either way, we’ll both learn something.

Get copies of my books because it’s a nice thing to do, you care, you can follow along, and I need the money.

RoundTable 360° Oct 2024 Is ‘Schadenfreude’ German for ‘Casper, the Friendly Ghost’? – If humor is subjective, what makes ‘funny’ funny?

(seems I’ve been remiss in posting our RoundTables.
beg pardon and here you go)

Our 31 Oct 2024 RoundTable 360° session was Is ‘Schadenfreude’ German for ‘Casper, the Friendly Ghost’? – If humor is subjective, what makes ‘funny’ funny? and led by psychologist, author, and humorist Peter Desberg. Joining Peter are Ken Weene, Mark O’Brien, Sarah Bowden, Amy Olmeda, Donna Huston Murray, Sabine Rossbach, Todd Sullivan, Clarabelle Miray Fields, and others.

Watch and enjoy.

 
Want to take part in future RoundTable 360°s? Reserve your space on Eventbrite.