I asked fellow Midnight Garden anthology contributors to share some things about themselves prior to publication and those generous enough to do so will be appearing here for the next week or so.
Each entry gives a taste of their contribution, a little about them, how to contact them, how their story came about, and definitely a link to Midnight Garden (which you should purchase because it would make each and every one of us happy.
you do want to make us happy, don’t you?
i mean, considering what we wrote, you want us to know you’re a good person, right?).
And now, Paul Kane’s Drip Feed:
She’d been hanging around most of her life.
Hanging around at auditions, waiting for her big break. Her one chance.
Just not like this, never hanging around upside down. Like some sort of bat. It was the first thing that had struck her when she blinked open her eyes. Not because of her surroundings, because it was dark, and she wasn’t even sure where she was (like a bat… in a cave?). But because of how she felt. The heaviness in her ‘upper’ body.
How the story came about:
I’m not sure where the idea for ‘Drip Feed’ originally came from, but it’s been kicking around in my head for a while.
The start of it mirrors a story of mine from about 12-13 years ago called ‘Rag & Bone’ in which a guy is hanging up in what he assumes is a serial killer’s basement, along with a bunch of other bodies, some alive, some not so much. That has a twist to it, and so does ‘Drip Feed’ when main character Daniele eventually figures out what she’s doing ‘hanging around’.
There are key ideas that were influenced by certain movies, but if you read the story you’ll see what those are – and to mention them here would give the game away. What I can say is that I was keen to do a tale where the victim turns the tables this time, a sort of more hopeful horror… or is it?
I’ll leave that for you to judge.
Continue reading “Paul Kane’s “Drip Feed” in Midnight Garden“